Thursday 28 February 2019

Ike & Tina Turner and Tina solo album by album




Ike & Tina Turner were a legendary RnB act in the Sixties and early Seventies, known for their high energy, exciting stage act, Ike's organisation and control, and Tina's powerful, raw voice and bold sexuality. Their recorded output was messy and inconsistent, with few really good albums, and no great ones, though River Deep - Mountain High (1966) - part produced by Phil Spector, is well known, mostly for the Spector Wall of Sound single "River Deep - Mountain High". Other known songs are their cover of "Proud Mary", the Tina penned "Nutbush City Limits", and their first hit, and the song which launched Tina's career, "A Fool In Love". 


Tina Turner has a huge, energetic voice, and is a very successful solo singer, though it's her work with Ike Turner that is generally considered (including by me) to be the more enduring.  Ike Turner had been a musician since the 1940s, first with a local big-band the Tophatters, then with his own Kings of Rhythm. In March 1951, when Ike was 19, the band recorded their first song, "Rocket 88", at Sam Phillips studio. The song was written and sung by Jackie Brenston, the band's saxophonist, so it was released under his name. The song was successful enough for Brenston to split off and form his own band.  "Rocket 88" has features that make it a contender for an early rock n rock song (distorted lead guitar, a backbeat,  lyrics about driving a fast car, and loud boogie piano - played by Turner), though for me rock music starts with Chuck Berry's "Maybellene".  After "Rocket 88", Turner acted as a talent scout and session pianist, plus continuing to gig and record with Kings of Rhythm,  at some point changing his instrument from piano to guitar. The band were competent, but had no more hits.  The 18 year old Anna Mae Bullock liked the Kings of Rhythm and wanted to sing with them. She got involved with the saxophonist in the band, and had his baby. She started off as a backing singer, but after stepping up to do some guide vocals for "A Fool In Love" when the band's regular singer failed to turn up for the recording, she became the lead singer, and Ike changed her name to Tina Turner, and changed the band's name to the Ike & Tina Turner Revue.

It is uncertain if and when Ike and Tina actually married (Tina says they got a quickie marriage in Tijuana at some point between 1960 and 1962, and then went to a sex show in a brothel, though dates and documentation appear to be missing) but they did start an intimate relationship at some point after Ike changed her name to Tina Turner when he was still married to the pregnant Lorraine Taylor. Ike and Tina split up personally and professionally in 1976 when Tina left after an argument. Their relationship had been difficult, with arguments and physical fights becoming increasingly common. Tina would later accuse Ike of sustained domestic abuse and controlling behaviour. In interviews when together Ike was often shy and quiet and dominated completely by Tina who would confidently talk for both of them. Ike has openly talked about hitting Tina, but denies being abusive, seeing the hitting as commonplace in society in the Sixties, and that Tina was a difficult person who would hit and provoke him. For many Americans, Ike is more famous as Tina Turner's abusive ex-husband than as a musician in his own right.


After spending some time considering Ike & Tina Turner I'm at the point where I have deep respect for both of them. There is a lot of rushed out material in the early years. Their catalogue is a mess. After the break up neither were quite the same as they were together. Tina certainly became more popular, and she kept up the energy in her voice and in her performances. But somehow together they were magic. Having said that, Tina's energy, sparkle, grit, and powerful voice is something special. Something unique. Here's four live versions of "Proud Mary". One by Ike & Tina from their peak in 1971 on the Ed Sullivan show: Proud Mary 1971; a slow version on Italian television in 1971: Proud Mary on Italian TV; one by Beyonce at Tina's Kennedy Tribute in 2005: Proud Mary by Beyonce; and one by Tina solo in Holland in 2009 when she was 70 years old: Proud Mary 2009. It is notable that Beyonce, one of the biggest stars of the moment, could not reproduce the strength of Tina's voice, nor the energy and sex appeal of her dance. And even at 70, slightly overweight and not as flexible, she was still able to deliver a memorising performance. I'm full of respect and awe. 


Wikipedia:
Ike & Tina Turner were an American musical duo composed of the husband-and-wife team of Ike Turner and Tina Turner. The duo was once considered "one of the hottest, most durable, and potentially most explosive of all R&B ensembles." Their early works, including "A Fool in Love", "It's Gonna Work Out Fine", "I Idolize You" and "River Deep – Mountain High", became high points in the development of soul music, while their later works were noted for wildly interpretive re-arrangements of rock songs such as "I Want to Take You Higher" and "Proud Mary", the latter song for which they won a Grammy Award. They developed an intense, often-ribald, live performance, whose musical spectacle was matched only by the likes of James Brown and the Famous Flames. The duo was inducted to the Rock & Roll Hall of Fame in 1991.

AllMusic:
As husband and wife, Ike & Tina Turner headed up one of the most potent live acts on the R&B circuit during the '60s and early '70s. Guitarist and bandleader Ike kept his ensemble tight and well-drilled while throwing in his own distinctively twangy plucking; lead vocalist Tina was a ferocious whirlwind of power and energy, a raw sexual dynamo who was impossible to contain when she hit the stage, leading some critics to call her the first female singer to embody the true spirit of rock & roll. In their prime, the Ike & Tina Turner Revue specialized in a hard-driving, funked-up hybrid of soul and rock that, in its best moments, rose to a visceral frenzy that few R&B acts of any era could hope to match. Effusively praised by white rock luminaries like the Rolling Stones and Janis Joplin, Tina was unquestionably the star of the show, with a hugely powerful, raspy voice that ranks among the all-time soul greats. For all their concert presence, the Turners sometimes had problems translating their strong points to record; they cut singles for an endless succession of large and small independent labels throughout their career, and suffered from a shortage of the strong original material that artists with more stable homes (Motown, Atlantic, Stax, etc.) often enjoyed. The couple's well-documented marital difficulties (a mild way of describing Ike's violent, drug-fuelled cruelty) eventually dissolved their partnership in the mid-'70s. Tina, of course, went on to become an icon and a symbol of survival after the resurgence of her solo career in the '80s, but it was the years she spent with Ike that made the purely musical part of her legend.

Ike Turner's early recordings:


Classic Early Sides: 1952-1954


Tina Turner's first recording - backing vocals (as Little Ann) on  "Box Top" (1958).

The albums

I'm going through all the albums Ike and Tina made together, or were credited as making together, and listening to them in chronological order. The early recording histories of Ike's Kings of Rhythm, and Ike & Tina Turner are confusing to sort out as accurate records were not kept, and various names are used, and songs from recordings are reused on several albums, and some albums are released under different names. I'm figuring it out as I go along, but relying heavily on what appear to be the best sources: WangDangDula and Discogs. I'm giving each album a score to reflect what I feel to be the best Ike & Tina Turner albums in terms of significance, musicianship and listenability. The scores are purely in relation to other Ike & Tina albums - they are not given in reference to albums by other musicians such as The Beatles, Rolling Stones, Bob Dylan, etc, as Ike & Tina Turner albums were not made to the same standards - mostly they were quickly and cheaply made (or assembled) as a way of making money, with little apparent thought given to leaving a legacy. For Ike & Tina, the live show was the important thing. That's what they focused on.
    I'm adding a universal score in brackets after the relative score.  

Debut album, contains "A Fool In Love"  the song that Anna Mae Bullock sung as a dummy vocal guide for Ike Turner's regular singer,  Art Lassiter, when Lassiter failed to turn up at the recording session, with the intention that his voice would be dubbed in later. She gave such a blistering performance, that Ike Turner got given a recording contract on the strength of that one performance, and he changed her name to Tina Turner, and changed the name of his band to the Ike & Tina Turner Review.

Tina's voice is raw and packed with energy. I'm searching for contemporary equivalents and not finding much.  The first that comes to mind is the classic 1961 debut, At Last!, by Etta James, but that is drenched in controlled and sultry blues, and putting TT against EJ is like putting Janis Joplin against Aretha Franklin. There is, of course, Shirley Bassey, who has a powerful voice, though her 1961 release, Shirley Bassey, is all pop-jazz strings and smooth control. And there are girl groups such as The Shirelles, whose 1961 album, Tonight's The Night, covers R&B and doo-wop, so is closer to The Soul, but it is very mannered and pop-oriented.  Aretha Franklin's debut album, Aretha, was released in 1961, and that is R&B, and Franklin has a powerful, soulful voice. Though Aretha is rather poppy, controlled, and mild mannered compared to The Soul.  Other R&B and soul based girl groups such as The Crystals,  and others, have some similarity, but all lack that raw energy.  Big Joe Turner's band (Rides Again 1960) has some of the swing and kick of Ike's band, but lacks the raw energy, and Big Joe doesn't have Tina's powerful voice. For nearest comparisons I'm looking at male singers. There's James Brown, slower, but with the swing in the band, and the raw, but controlled, power in the voice - Please Please Please (1959).  And Jackie Wilson, He's So Fine (1958), expressive, powerful, energetic, breathless.  And Little Richard - Here's Little Richard (1957).  And Jerry Lee Lewis - Greatest (1961). But, powerful as they are, none of these quite matches Turner on this recording.

It's not all good: a number of the songs are plain, which,  combined with a sometimes indifferent approach by band, could let down the album.   However, this is such a fascinating document of the emergence of a raw singing talent; and Turner's voice is shown here in is such a powerful primeval state  (I don't think she has since sung with such naked soul, energy and power) that the album is simply awesome!  A must have. Turner's best album for sure, and one of the world's most fascinating and powerful records.

 "A Fool In Love" on TV (1960)    (1965)   

 RateYourMusic

ReleasedFebruary 1961
Recorded1960, St. Louis
GenreR&Bbluessoul
Length31:39
LabelSue
ProducerIke TurnerJuggy Murray

All songs written and composed by Ike Turner, except where indicated. 
* indicates great songs 

Side A
No.TitleWriter(s)Length
1."I'm Jealous" *Ike Turner, Jane Bussong2:13
2."I Idolize You" * 2:53
3."If" 2:10
4."Letter From Tina" 2:38
5."You Can't Love Two" 2:56
6."I Had A Notion"Joe Morris2:58
Side B
No.TitleWriter(s)Length
1."A Fool In Love" * 2:53
2."Sleepless"Ike Turner, Jane Bussong2:51
3."Chances Are" * 3:42
4."You Can't Blame Me" 2:13
5."You're My Baby" 2:22
6."The Way You Love Me" 1:50

  • Lead vocals by Tina Turner except for "You Can't Blame Me" and "You're My Baby" with lead vocals by Ike and Tina Turner
  • Background vocals by The Ikettes
  • All instrumentation by Ike Turner and The Kings of Rhythm

Wikipedia
AllMusic: 6
Score: 8

Dance With Ike & Tina Turner's Kings of Rhythm
(1962)

This album appears to have been released under three different names: Ike & Tina Turner's Kings of Rhythm Dance; Ike & Tina Turner's Kings of Rhythm Band; and Dance with Ike & Tina Turner's Kings of Rhythm. Despite the name, this is just Ike and his band doing instrumentals. It's a funky little album, but there's no Tina, so it's of limited interest. 

RateYourMusic

All compositions by Ike Turner except where noted.

Side A
No.TitleWriter(s)Length
1."The Gulley" 2:13
2."Twistaroo" 2:12
3."Trackdown Twist" 2:13
4."Potatoe Mash" 2:14
5."It's Gonna Work Out Fine"Rose Marie McCoy, Sylvia McKinney2:36
6."Steel Guitar Rag" 2:45
Side B
No.TitleLength
1."Doublemint"2:22
2."The Rooster"2:34
3."Prancing"3:42
4."Katanga"2:25
5."The Groove"2:01
6."Going Home"

Wikipedia
AllMusic: 5
Score: 2 1/2  

Dynamite! (1962)

This is similar to the debut, Soul, and has half (six) of the same recordings, though includes three new hit singles, which are worth hearing. 


All songs written by Ike Turner, except where indicated. 
^ Tracks also on The Soul...

Side A
No.TitleWriter(s)Length
1."You Should'a Treated Me Right" *  3:40
2."It's Gonna Work Out Fine" *Rose Marie McCoy (uncredited), J. Seneca & J. Lee3:03
3."A Fool In Love" * ^  2:52
4."Poor Fool" * 2:33
5."I Idolize You" * ^ 2:51
6."Tra La La La La" 2:40
Side B
No.TitleWriter(s)Length
1."Sleepless" ^ 2:50
2."I'm Jealous" ^Ike Turner & Bussong2:15
3."Won't You Forgive Me" 2:42
4."The Way You Love Me" ^ 1:52
5."I Dig You"J. Seneca & M. Steward2:22
6."Letter From Tina" ^ 2:34
Tina is trying to sound more like a jazzy blues singer such as Etta James; she is putting sophistication into her voice, though now and again she lets her voice loose. The result is an uneven and inconsistent album which is overproduced with strings all over the place.  The debut, Soul, is better.

RateYourMusic

ReleasedFebruary 1963
GenrePopR&Bvocal jazz
Length26:18
LabelSue
DirectorJuggy Murray

All songs written by Ike Turner, except where indicated.

Side A
No.TitleLength
1."Wake Up"2:05
2."I Made A Promise Up Above"2:19
3."Desire"2:58
4."Those Ways"1:45
5."Mama Tell Him"2:33
6."Pretend"1:47
Side B
No.TitleWriter(s)Length
1."Don't Play Me Cheap" 2:08
2."The Real Me"Curtis Mayfield2:01
3."Forever Mine" 2:15
4."No Amends" 2:22
5."Love Letters"Edward HeymanVictor Young (uncredited)1:54
6."My Everything To Me" 2:30


There's a confidence and assuredness on this their fourth (third and a 1/2?) album, though it's still a bit patchy. However the meld of girl-group doo-wop, R&B, and soul with Tina's raw voice is quite compelling. There is an attractive energy about the whole album that overcomes many of the flaws. A decent album, and a good point to start, but on balance - because it was the debut, and it contains the song that started it all, I still prefer Soul. Hmmm, but I think I enjoy hearing this one a bit more.....

There are two tracks that appeared on the Dynamite! album from 1962. 



ReleasedJune 1963
Recorded1961-1962
GenreR&Bsoulrock 'n' roll
LabelSue
ProducerJuggy Murray

All songs written by Ike Turner, except where noted.

Side A
No.TitleWriter(s)Length
1."Gonna Find Me a Substitute" 2:41
2."Mojo Queen" 2:06
3."Kinda Strange" 2:44
4."Why Should I" 1:29
5."Tinaroo" 2:27
6."It's Gonna Work Out Fine" ^Sylvia McKinney, Rose Marie McCoy (uncredited)3:02
Side B
No.TitleLength
1."I'm Gonna Cut You Loose"2:35
2."Poor Fool" ^2:33
3."I'm Fallin' In Love"2:22
4."Foolish"3:47
5."This Man's Crazy"1:49
6."Good Good Lovin'"2:17


Wikipedia
AllMusic: 8
Score: 5 

Ike & Tina Turner Revue Live (1964)

Ike & Tina were known for their live performances, and videos available of some of their concerts does show that they had energy, excitement and sexuality in plenty. This is the band's first live album, and takes its cue from James Brown's Live At The Apollo (1963) which also had a six minute melody including  "Please Please Please", but Brown's is better.  I found a live TV clip from the same period, but it's a song, "I Can't Believe What You Say", that's not on the album, and which only has Tina up front - no Ikettes.  I found three live versions of  "Fool In Love" from around the same period: TNT ShowShindig, and Hollywood A Go Go.  Interesting to note that the skirts were longer at this time. Ike revealed in an interview that he had been asking Tina to wear shorter skirts, but it wasn't until they toured in support of the Stones in London that he bought them all mini skirts.  This is a great live album, displaying the strengths of the band, and shows the influence Tina had on Janis Joplin, including how to talk to an audience.  

"If I Can't Be First" is a standout track not on the original album, but on the CD release. Most of the tracks are not Tina, but other singers that Ike had in his revue, however her performances are strong and intimate, and the other singers are also worth hearing - which they never are on the studio albums, other than as backing voices. 

ReleasedNovember 1964
Recorded1964
VenueClub Imperial (St. Louis, MO), Harlem Club (St. Louis, MO)
GenreR&Bsoul music
LabelKent Records
ProducerIke Turner


Side A
No.TitleWriter(s)Length
1."Please, Please, Please" (Tina Turner)
James Brown, Johnny Terry6:54
2."Feel So Good" (Jimmy Thomas)Junior Parker3:12
3."The Love of My Man" (Venetta Fields)Ed Townsend3:55
4."Think" (Bobby John)Lowman Pauling2:24
Side B
No.TitleWriter(s)Length
1."Drown in My Own Tears" (Stacy Johnson)Henry Glover7:31
2."I Love the Way You Love" (Robbie Montgomery)Abrams, Odenwald, Ossman, Gordy3:12
3."Your Precious Love" (Vernon Guy)Richard & Arthur BrooksJerry Butler2:30
4."All In My Mind" (Tina Turner)Maxine Brown, Kirkland, Johnson3:30
5."I Can't Believe What You Say" (Tina Turner)Ike Turner1:59


Track list of the Spotify CD: 


1 Ike & Tina Turner– Please Please Please
2 Ike & Tina Turner– If I Can't Be First
3 Jimmy Thomas– Feel So Good
4 Venetta Fields– The Love Of My Man
5 Bobby John (3)– Think
6 Stacy Johnson– Drown In My Own Tears
7 Robbie Montgomery– I Love The Way You Love
8 Vernon Guy– For Your Precious Love
9 Ike & Tina Turner– All In My Mind
10 Ike & Tina Turner– I Can't Believe What You Say
11 Ike & Tina Turner– A Fool In Love
12 Ike & Tina Turner– The Wedding/ Please Please Please
13 Ike & Tina Turner– My Man
14 Ike & Tina Turner– You Don't Love Me No More
15 Ike & Tina Turner– It's Gonna Work Out Fine
16 Ike & Tina Turner– It's Gonna Work Out Fine
17 Ike & Tina Turner– If I Only Had You
18 Ike & Tina Turner– I Can't Stop Lovin You
19 Ike & Tina Turner– You Should Have Treated Me Right
20 Ike & Tina Turner– He's Mine



Wikipedia 
AllMusic: 7 
Score: 6

The Soul of Ike & Tina (1964)

The Soul Of.... is a Kent record label album which can't be found on the internet, but a 2000 compilation of the Kent recordings does contain most of the album - the tracks are "Goodbye So Long" /  "If I Can't Be First"  / "Chicken Shack"  / " I Don't Need"  / "I Wish My Dream Would Come True" / "Hard Times" / "It's Crazy Baby" / "Gonna Have Fun" / "Am I A Fool In Love" / "Something Came Over Me" / "Hurt Is All You Gave Me" / "Don't Blame It On Me"
This dry stuff compared to the live album. It's like they are rehearsing, and lack the commitment and involvement of a live show.  The material here is OK, nothing great.  Indeed, most of their material during these early years is simply OK, slightly derivative of what's around (though that is very common throughout the history of music, art and commerce!), and not really doing anything new or special. It's not the material that really counts, it's the performances, and here the performances are revealed as very weak compared to what they can do live when the adrenalin is flowing, and there's no chance for a second take.

RateYourMusic 

Released1966
Recorded1964–1965
Genre
Length47:27
LabelKent
ProducerIke Turner

All tracks are written by Ike Turner.

Side A
No.TitleLength
1."Good Bye, So Long" 
2."If I Can't Be First" 
3."Chicken Shack" 
4."I Don't Need" 
5."I Wish My Dream Would Come True" 
6."Hard Times" 
Side B
No.TitleLength
1."It's Crazy Baby" 
2."Gonna Have Fun" 
3."Am I A Fool In Love" 
4."Something Came Over Me" 
5."Hurt Is All You Gave Me" 
6."Don't You Blame It On Me"


The Kent Years tracklist:


1 I Can't Believe What You Say 1:59
2 My Baby Now 2:47
3 What Do You Think I Am 2:13
4 Baby, Don't Do It 1:55
5 I Don't Need 2:15
6 Goodbye, So Long 2:08
7 Hurt Is All You Gave Me 2:29
8 Gonna Have Fun 2:04
9 You Can't Miss Nothing 2:03
10 All I Could Do Was Cry (aka Stop The Wedding) 4:54
11 I Need A Man 3:00
12 You Can't Have Your Cake And Eat It Too 2:52
13 Lose My Cool 2:19
14 He's The One 2:00
15 Chicken Shack 1:49
16 Five Long Years 2:22
17 Flee Flee Fla 2:30
18 I Wish My Dreams Would Come True 1:49
19 Over You 1:57
20 Makin' Plans Together 2:09
21 Shake It Baby 1:47
22 Don't You Blame It On Me 1:46
23 Hard Times 2:18
24 Give Me Your Love 2:10
25 It's Crazy Baby 2:56
26 Something Came Over Me 2:45


This is a Loma Records two part release in 1965. Loma was an R&B subsidiary label of Warner Brothers who have recently re-released the two albums as one set on CD, adding "Live!" to the title. Volume 2 was recorded in Texas, and is the strongest of the two, but both feel rather casual and throwaway. Ike was not keen on recording contracts - he preferred single album deals with money up front, and did this with a number of labels with little documentation, so it's difficult to work out the order the albums come in - one book has Volume 2 appearing the year before Volume 1. 

The two albums were combined in a single release as Live! The Ike & Tina Turner Show

ReleasedJanuary 1965
Recorded1964
VenueSkyliner Ballroom (Fort Worth, Texas), Lovall's Ballroom (Dallas, Texas)
GenreR&Bsoul
LabelWarner Bros Records
ProducerRobert A. "Bumps" Blackwell

All songs lead vocal by Tina Tuner except where noted.[9]

Side A
No.TitleWriter(s)Length
1."Finger Poppin'"Ike Turner2:25
2."Down In The Valley" (Jimmy Thomas) 2:35
3."Good Times"Sam Cooke2:45
4."You Are My Sunshine" (Ike & Tina Turner)Charles Mitchell, Jimmie Davis2:15
5."Good Time Tonight (Having A Good Time)" (Vanetta Fields)Smokey McAllister2:45
6."Twist and Shout"Bert Berns, Phil Medley3:45
Side B
No.TitleWriter(s)Length
1."Something's Got A Hold On Me"Etta JamesLeroy Kirkland, Pearl Woods3:16
2."I Know (You Don't Want Me No More)" (Tina Turner & Vanetta Fields)Barbara George3:15
3."High Heel Sneakers (Tight Pants)"Robert Higginbotham3:08
4."My Man, He's A Lovin' Man" (Jessie Smith)James Bennett, Johnnie Mae Matthews2:50
5."I Can't Stop Loving You"Don Gibson3:35
6."Tell The Truth"Ray Charles2:35

Wikipedia 
AllMusic 8
Score: 3 1/2 

Get It - Get It (1965)

A 1965 or 1966 studio album on the Cenco record label.  Reissued as Her Man...His Woman
The sound is bluesy and jazzy rather than R&B and soul. 

RateYourMusic 

Releasedcirca 1966
Recorded1964–1966
GenreR&Bsoul musicblues
Length25:09
LabelCenco
ProducerIke Turner

Side A
No.TitleWriter(s)Length
1."Get It – Get It"Ike Turner3:31
2."I Believe"Elmore James2:19
3."I Can't Believe What You Say"Ike Turner2:07
4."My Babe"Willie Dixon1:59
5."Strange"Billy Preston2:36
Side B
No.TitleWriter(s)Length
1."You Weren't Ready"Ike Turner2:37
2."That's Alright"Jimmy Rogers3:02
3."Rooster"Ike Turner2:13
4."Five Long Years"Eddie Boyd2:42
5."Things I Used To Do"Guitar Slim2:24

AllMusic:
Score: 4 

River Deep - Mountain High (1966)

This is Ike & Tina's most famous album. For many people it's the only album they know by the pair.  The title track, "River Deep - Mountain High",  is a classic. It's pure Phil Spector with Tina Turner's vocals, and is a step sideways from what Ike & Tina had been doing together. The rest of the album is an oddity as it's a mix of Phil Spector and Ike Turner working with Tina, so at one point we're in wall of sound pop, then gritty R&B and then back to pop. Some of Ike's contributions are re-workings of songs they've done previously, and it's each to their own as to if the 1966 version of "I Idolize You" is more enjoyable than the 1961 "I Idolize You".  For me the 1961 version blows the 1966 version out of the water. Tina is controlled in 1966, aware that her voice has power, and using it to create an impression, in 1961 she fucking lets rip and its a force of nature, raw, primeval, awesome, and very rare. By 1966 she's aware she has a strong voice, and is handling it professionally, controlling, through experience, her energy and rawness - and it works; she'll continue to do that for the rest of her career. But in 1961 at the start she's the real raw deal, and everything is open and before her.  She has no choice, she's either gives it everything or she has no career - there's no careful, measured control; this is total and utter commitment.  It's the same for "A Fool In Love" - this 1966 version is something easy to overlook so false is the emotion generated, and so stagy are the shrieks. While, poorly recorded and produced though it is, there's no mistaking the raw power and utter commitment of the 1961 "A Fool In Love", the song that launched her career.

Tina, Phil Spector, and Ike, together in the studio

What many people "know" about the recording of this album is that it's Phil Spector's album, and that he paid Ike not to be involved. That is not true. The album is not Phil Spector's, as he abandoned the recording sessions after the single "River Deep - Mountain High" failed in America, so Ike finished it off. Spector didn't pay Ike to stay away - he simply asked Ike if he could record with just Tina, and Ike agreed, provided that the name Ike & Tina Turner was used, which, as they were still signed to Loma Records, meant that Spector had to pay $20,000 to Loma to hire them.  When it came to recording Tina, Spector couldn't handle her properly, so nothing happened during the first session, and Tina brought Ike along for the next session, where she managed, after several takes, and having to take off her blouse,  to lay down the vocals that Spector wanted. But, hey, don't let truth get in the way of a good myth, huh? 

Because some songs are produced by Ike, who is gutsy R&B, and some are produced by Spector who is lush pop, and the songs are jumbled together randomly, there is a jarring aural inconsistency in the album. Essentially the fame of this album rests entirely on the title track. There is nothing of that quality elsewhere on the album, and while Ike's production and Tina's powerful voice make listening to Ike's tracks more than just acceptable, they come across as weak compared to the earlier recordings. Having said all that, it's still a pretty good album. 


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ReleasedSeptember 1966 (UK)
September 1969 (US)
RecordedMarch 1966
StudioGold Star Studios (Los Angeles, California)
Genre
Length37:06
Label
ProducerIke TurnerPhil Spector

No.TitleWriter(s)ProducerLength
1."River Deep – Mountain High" **BarryGreenwichSpectorPhil Spector3:38
2."I Idolize You"Ike TurnerIke Turner3:46
3."A Love Like Yours (Don't Come Knocking Everyday)"Holland–Dozier–HollandPhil Spector3:05
4."A Fool in Love"Ike TurnerIke Turner3:13
5."Make 'Em Wait"Ike TurnerIke Turner2:22
6."Hold On Baby"Barry, Greenwich,  SpectorPhil Spector2:59
7."Save the Last Dance for Me"Doc PomusMort ShumanPhil Spector3:02
8."Oh Baby!"Kent HarrisIke Turner2:46
9."Every Day I Have to Cry"Arthur AlexanderPhil Spector2:40
10."Such a Fool for You"Ike TurnerIke Turner2:48
11."It's Gonna Work Out Fine"J. Michael Lee, Joe SenecaIke Turner3:14
12."You're So Fine"Finney, Willie Schofield, Bob WestIke Turner3:14
A live album recorded for the Minit Records label  at Basin Street West, San Francisco; MC: D.L. Herb Campbell.  The album includes solo performances by The Ikettes.

It's competent but unspectacular.  Some of the arrangements are a little too fussy, and don't compare well with the simpler and more powerful arrangements of the early Sixties.

ReleasedJune 1969
Recorded1969
VenueBasin Street West (San Francisco, CA)
Genre
LabelMinit Records
ProducerIke Turner

Side A
No.TitleWriter(s)Length
1."Everyday People" (The Ikettes)Sly Stone3:14
2."Gimme Some Loving"/"Sweet Soul MusicWinwoodWinwoodReddingConleyCooke2:56
3."Son Of A Preacher ManHurley,  Wilkins3:00
4."I Heard It Through The GrapevineWhitfield, Strong3:25
5."RespectOtis Redding8:31
Side B
No.TitleWriter(s)Length
1."There Was A Time"/"African Boo's" (The Ikettes)James Brown, Buddy Hobgood, Ike Turner4:07
2."Funky Street" Arthur Conley, Earl Simms2:13
3."A Fool In Love" (The Ikettes)Ike Turner3:04
4."The Sumit"/"All I Could Do Was Cry"/"Please, Please, Please"/"Baby I Love You"Turner, Davis, GordyGordy, Brown, Terry, Shanon12:22
5."Goodbye, So Long" Ike Turner3:13

Wikipedia
AllMusic
Score: 4 

Outta Season  (1968)

Most sources have this as being released in 1969, but the record label shows that it was 1968 on Blue Thumb:



It's quite a bluesy album - well presented electric blues. But, as with most Ike & Tina studio material since their debut, it's casually thrown together. There's a distinct lack of effort and commitment. The duo are competent and talented enough to get by and produce something quite listenable, but there's nothing here that stands out. Nothing enduring. And nothing to recommend others listen to. Having said that, I find it likeable and very listenable. "Motherless Child"  and "Dust My Broom" give a good flavour of what's on offer. The album's production is credited to Tina, as well as the writing credit for "I Am a Motherless Child". 

RateYourMusic

ReleasedMarch 1969
Recorded1968
Genre
Length33:00
LabelBlue Thumb
Producer

Side A
No.TitleWriter(s)Length
1."I've Been Loving You Too Long"Otis ReddingJerry Butler3:40
2."Mean Old World" (adapted by Ike Turner) 2:20
3."3 O 'Clock in the Morning Blues"B.B. KingJules Taub2:35
4."Five Long Years"E. Boyd3:20
5."Dust My Broom" (adapted by Ike Turner) * 2:30
6."Grumbling"Ike Turner2:35
7."I Am a Motherless Child" *Tina Turner3:30
Side B
No.TitleWriter(s)Length
1."Crazy 'Bout You Baby"Sonny Boy Williamson3:25
2."Reconsider Baby"Lowell Fulson:40
3."Honest I Do"Ewart AbnerJimmy Reed2:20
4."Please Love Me"B.B. King, Jules Taub2:10
5."My Babe"Willie Dixon1:50
6."Rock Me Baby"B.B. KingJoe Josea2:45

Wikipedia 
AllMusic  (The AllMusic review is attached to the name and song list of this album, but what the reviewer says bears little relation to this album, as, rather than "routine soul and R&B numbers" it's mainly electric blues - something new to Ike & Tina. It doesn't sound like a collection of singles - indeed, there is probably more unity in this album than in most Ike & Tina albums.  The production, rather than having "almost no variety or flair", shows an awareness of Spector's approach, combined with an understanding of Ike's rootsy approach, and a little of something smoother and more thoughtful which must have come from Tina. And it hasn't been deleted. As evidence, I'm using the version on Spotify, and as Discogs shows, the album was in print in various covers and in various countries through the Seventies.) 
Score:  5

So Fine (1968)

This is the first of three albums for the Pompeii record label. Best track is "It Sho Aint Me", and the rest of the album is listenable, but nothing special. As usual, compare this 1968 "Fool In Love" with the original "Fool In Love".  Nuff said. Let's move on.

RateYourMusic 


Side A
No.TitleWriter(s)Length
1."Bet'cha Can't Kiss Me (Just One Time)"Mack Rice2:51
2."Ain't Nobody's Business"Ike Turner2:09
3."It Sho Ain't Me" *Mack Rice3:08
4."Too Hot To Hold"Mack Rice2:20
5."A Fool In Love"Ike Turner2:49
Side B
No.TitleWriter(s)Length
1."I Better Get Ta Steppin'"Ike Turner, Charles Harris2:49
2."Shake A Tail Feather"Otha Hayes, Verlie Rice, Andre Williams2:15
3."So Fine"Johnny Otis2:41
4."We Need An Understanding"Ike Turner, Johnny Northern2:43
5."You're So Fine"Lance Finney, Willie Schofield2:26

The second studio album for Pompeii. This is the So Fine album plus some instrumentals.  Move on.

RateYourMusic 


Side A
No.TitleWriter(s)Length
1."Cussin', Cryin' & Carryin' On"Wayne Carson Thompson2:39
2."Poor Little Fool" (Lead vocals by Fontella Bass & Tina Turner)Oliver Sain2:47
3."So Blue Over You" (Lead vocals by the Ikettes)Ike Turner2:32
4."Nothing You Can Do Boy (To Change My Way)"Ike Turner2:27
5."I'm Fed Up"Ike Turner2:14
6."You Got What You Wanted"Wayne Carson Thompson2:25
Side B
No.TitleWriter(s)Length
1."Make 'Em Wait" (Lead vocals by the Ikettes)Ike Turner2:18
2."Beauty Is Just Skin Deep" (Lead vocals by the Ikettes)Steve Venet, Toni Wine2:14
3."Thinking Black" (Instrumental)Ike Turner2:40
4."Black Beauty" (Instrumental)Ike Turner2:30
5."I Better Get Ta Steppin'"Charles Harris2:50

AllMusic: 7 
Score: 3

Get It Together (1969)

Third Pompeii album.

"Too Hot To Hold" / "I'm Fed Up" / "Make 'Em Wait" / Poor Little Fool / You Got What You Wanted / Freedom Sound / Bet 'Cha Can't Kiss Me (Just One Time) / So Blue Over You / Cussin', Cryin' And Carryin' On / Beauty Is Just Skin Deep / Ain't Nobody's Business / Funky Mule

I can't find the album, so I'm looking for individual tracks, but I'm giving up because what I'm finding is earlier versions of the same songs.  Tracking down an accurate record of what Ike & Turner produced is not easy as they made so many records, albums and singles, live and studio, on so many different labels, and would reuse the same material several times. Sigh.

AllMusic: 4
Score: 3

Her Man...His Woman  (1970)

Get It - Get It! / I Believe / I Can't Believe (What You Say) / My Babe / Strange / You Weren't Ready / That's Right / Rooster / Five Long Years / Things That I Used To Do

A re-release of  Get It - Get It (1965) with a different cover, title and record label.

Score: 3

The Hunter (1969)

Quite bluesy in a similar style to Outta Season, though with more funk, resulting in a Stax sound.  Quite decent and workable, especially the title track, "The Hunter", written by the Stax house band: Steve Cropper, Booker T, etc.  "Bold Soul Sister" is a copy of Sly Stones "Sing A Simple Song".  It's a decent album, but it's not cutting edge, and while the songs are enjoyable, there's nothing outstanding or memorable.

RateYourMusic

ReleasedOctober 1969
GenreR&Bbluessoul music
LabelBlue Thumb
ProducerBob Krasnow (with friends)

Side A
No.TitleWriter(s)Length
1."The Hunter" *Booker T. & the M.G.'s6:33
2."You Don't Love Me (Yes I Know)"Willie Cobbs2:54
3."You Got Me Running"Jimmy Reed2:59
4."Bold Soul Sister" *Ike TurnerTina Turner2:36
Side B
No.TitleWriter(s)Length
1."I Smell Trouble"Don Robey3:44
2."The Things I Used To Do"Eddie JonesMemphis Slim3:14
3."Early In The Morning"  Traditional 3:01
4."You're Still My Baby"Chuck Willis2:47
5."I Know"Barbara George2:31

Wikipedia 
AllMusic
Score: 5 

Come Together (1970)

Credited to Ike & Tina Turner and The Ikettes, this is Ike & Tina's first rock album (with a few R&B numbers, and a general funk feel).  Mostly songs by Ike, though they cover "Come Together",  "Honky Tonk Women", and "I Want To Take You Higher".  As with most Turner albums it's all competent and listenable, but lacking in the authenticity, the rawness, the enthusiasm, the power, and the excitement of the debut. The covers are done pretty much note by note - competent, but pointless. The covers do, however, attract (and continue to attract) interest. 

RateYourMusic 

ReleasedMay 1970
LabelLiberty Records
ProducerIke Turner

All tracks written by Ike Turner, except where noted.[12]

Side A
No.TitleWriter(s)Length
1."It Ain't Right (Lovin' To Be Lovin')" 2:34
2."Too Much Woman (For A Henpecked Man)" 2:31
3."Unlucky Creature" 2:25
4."Young And Dumb" 2:50
5."Honky Tonk Women"Mick Jagger, Keith Richards3:30
6."Come Together"John Lennon, Paul McCartney3:37
Side B
No.TitleWriter(s)Length
1."Why Can't We Be Happy" 3:49
2."Contact High" 2:16
3."Keep On Walkin' (Don't Look Back)" 2:07
4."I Want To Take You Higher"Sylvester Stewart2:51
5."Evil Man"Larry Weiss3:25
6."Doin' It" 2:41

AllMusic:
Score: 5 

Workin' Together (1970)

After many years of trying, they finally put together a successful album. This is their commercial and critical peak. They blend together all they have acquired over the years - pop, rock, R&B, funk, soul, blues, into a big, professional and very competent whole. "Goodbye So Long" is a damn fine song. Even the covers have an edge missing in their previous covers. "Get Back"  crackles with energy, while "Proud Mary", widely acknowledged as their best ever cover, drove the success of the album, and propelled Ike & Tina into the big time. This album is a great place to start. Good songs. Good covers. Ike is at his best, and Tina has learned how to control her voice so it does exactly what she wants it to do. Her performances here are varied, suiting the style of each song. It's a consummate, professional performance.  As always, I miss the energy and rawness of the debut, but that was a special, unique moment she has never repeated on any album (though came close on the second album, Dynamite!).  

The album was recorded at Bolic Sound, a state of the art studio that Ike had built for himself because of his distrust of the music industry. All future Ike & Tina studio albums were recorded here, and the facilities were used by other musicians, such as Frank Zappa, Paul McCartney, Little Richard, The Rolling Stones, etc. 


ReleasedNovember 1970
Recorded1970
StudioBolic Sound (Inglewood, CA)
Length34:23
LabelLiberty
ProducerIke Turner

All tracks written by Ike Turner, except where noted. Tracks 1 and 6 were credited to "Eki Renrut" (Ike Turner backwards). Aillene Bullock is Tina's sister, who was in charge of the Ikettes. 

No.TitleWriter(s)Length
1."Workin' Together" 3:35
2."(As Long As I Can) Get You When I Want You" *George Jackson, Raymond Moore2:25
3."Get Back" * John Lennon, Paul McCartney3:05
4."The Way You Love Me" *  2:37
5."You Can Have It" *  3:30
6."Game of Love" 2:46
7."Funkier Than a Mosquita's Tweeter" *Aillene Bullock2:35
8."Ooh Poo Pah Doo"Jessie Hill3:36
9."Proud Mary" **John Fogerty4:57
10."Goodbye, So Long" 1:57
11."Let It Be"John Lennon, Paul McCartney3:10


Wikipedia 
AllMusic
Score: 7

'Nuff Said (1971)

A mix of funk and rock, creating quite a groovy sound with Tina in full flow and control of her voice. This is not the awesome rawness of the wonderful debut, but a performer who knows what to do with her voice to create a compelling raw energy without actually laying bare her soul and throat. This is good stuff with band and singer delivering quality stuff bang on with the times, flirting with country rock on "Pick Me Up", but empowering it with soul and funk. There's some bloody good stuff here, though no song really stands out. It's just a tidy little album. 

RateYourMusic 

ReleasedNovember 1971
Recorded1971
StudioBolic Sound
GenreR&Bsoul musicFunk rock
LabelUnited Artists
ProducerIke Turner

 Aillene Bullock is Tina's sister, who was in charge of the Ikettes. 
Side A
No.TitleWriter(s)Length
1."I Love What You Do To Me"Calvin Lane, Philip Reese2:32
2."Baby (What You Want Me To Do)"Aillene Bullock3:27
3."Sweet Flustrations"Ike TurnerLeon Ware, Philip Reese2:55
4."What You Don't See (Is Better Yet)"Turner, Ware, Tina Turner, Lane3:15
5."Nuff Said (Part I)"Calvin Lane, Ike Turner, Philip Reese3:12
Side B
No.TitleWriter(s)Length
1."Tell The Truth"Ike Turner, Leon Ware2:53
2."Pick Me Up (Take Me Where Your Home Is)"Bullock, Turner, Ware, Tina Turner4:23
3."Moving Into Hip Style - A Trip Child!"Ike Turner, Leon Ware, Tina Turner2:47
4."I Love Baby"Calvin Lane, Ike Turner, Philip Reese2:20
5."Can't You Hear Me Callin'"Ike Turner, Leon Ware2:26
6."Nuff Said (Part II)"Calvin Lane, Ike Turner, Philip Reese2:01

Wikipedia 
AllMusic
Score: 5   

Live In Paris (1971)

The studio albums were getting more contemporary, but the live performances, as indicated by this album, were still stuck in the "Chitlin Circuit" style of revue, blatantly copying James Brown's revue style from the early Sixties with such introductions as "the hardest working young lady in show business today". The first three tracks are sung by the Ikettes before Tina comes on. It's hard to believe this is actually from the Seventies. Being there would have been fun, as the show was colourful and lively, as shown in this documentary video from around the same period, and the album, though not a real substitute for being there, is the next best thing, and it's a breathless, humorous, earthy, sexy, exciting, and at times audacious romp. 

ReleasedAugust 1971
RecordedJanuary 30, 1971
VenueOlympia (Paris, France)
Genre
Label
ProducerEddie Adamis

Side A
No.TitleWriter(s)Length
1."Grumbling" (Ike Turner)Ike Turner1:07
2."You Got Me Hummin'" (The Ikettes)HayesPorter4:00
3."Everyday People" (The Ikettes)Sly Stone2:13
4."Shake A Tail Feather" (The Ikettes)Hayes,  Rice, Williams2:13
5."Gimme Some Loving"/"Sweet Soul MusicWinwoodWinwoodReddingConleyCooke3:39
6."Son Of A Preacher ManJohn Hurley, Ronnie Wilkins2:45
Side B
No.TitleWriter(s)Length
1."Come TogetherLennon–McCartney3:30
2."Proud MaryJohn Fogerty8:48
3."A Love Like Yours Don't Come Knocking Everyday"Holland–Dozier–Holland3:37
Side C
No.TitleWriter(s)Length
1."I Smell Trouble" Don Robey10.00
2."RespectOtis Redding3:55
3."Honky Tonk WomenMick JaggerKeith Richards2:05
Side D
No.TitleWriter(s)Length
1."I've Been Loving You Too Long"Jerry ButlerOtis Redding7:15
2."I Want To Take You HigherSly Stone4:45
3."Land Of 1000 DancesChris KennerFats Domino4:47

Wikipedia 
Similar to Live In Paris, with the same set up  - The Ikettes come on and do some numbers, then Tina comes on and finishes off the show, though a few songs are different.  Some of the songs that are the same, for comparison: "Respect",  "Higher",  "Proud Mary", and "Honky Tonk Women" at Carnegie.  "Respect",   "Higher",   "Proud Mary", and "Hony Tonk Women" at Paris.  Good stuff, though for me the Paris show just edges the Carnegie show.

Side A
No.TitleWriter(s)Length
1."Introduction" 1:30
2."Piece Of My Heart" (performed by the Ikettes)Bert Berns, Jerry Ragovoy3:38
3."Everyday People" (performed by the Ikettes)Sly Stone2:10
4."Introduction To Tina" 0:40
5."Doin' The Tina Turner"Ike Turner, Tina Turner0:36
6."Sweet Soul Music"Arthur ConleyOtis ReddingSam Cooke2:13
7."Ooh Poo Pah Doo" Jessie Hill4:05
Side B
No.TitleWriter(s)Length
1."Honky Tonk Women"Mick JaggerKeith Richard3:05
2."A Love Like Yours"Holland-Dozier-Holland3:43
3."Proud Mary"John Fogerty6:35
4."(Encore Of) Proud Mary"John Fogerty2:35
Side C
No.TitleWriter(s)Length
1."Proud Mary (Continued)"John Fogerty3:25
2."I Smell Trouble"Don Robey7:57
3."Ike's Tune"Ike Turner0:30
4."I Want To Take You Higher"Sly Stone3:35
Side D
No.TitleWriter(s)Length
1."I've Been Loving You Too Long"Otis Redding8:35
2."Respect"Otis Redding5:03

Score: 5 

Feel Good (1972)

I originally thought this came after Let Me Touch Your Mind, but the label numbers show that this was released first. This contains nine songs credited to Tina, the remaining one being a Beatles cover. This is, as far as I can tell, the first time since Outta Season  in 1968 she had songs credited to just herself rather an occasional co-writing credit with Ike, and the album is nearly full with Tine credited songs. The album sounds quite modern in comparison with the stuff they were doing live. It's quite upbeat and poppy, though still with one foot in the R&B sound. At times it's hard to separate this from solo Tina material. This is the beginning of the end for the Ike & Tina Turner Revue, though it would take a few more years before Ike and Tina would actually split. 



Side A
No.TitleWriter(s)Length
1."Chopper"Tina Turner2:36
2."Kay Got Laid (Joe Got Paid)"Tina Turner2:59
3."Feel Good"Tina Turner3:25
4."I Like It"Tina Turner1:58
5."If You Can Hully Gully (I Can Hully Gully Too)"Tina Turner3:30
Side B
No.TitleWriter(s)Length
1."Black Coffee"Tina Turner2:42
2."She Came In Through the Bathroom Window"Lennon-McCartney2:32
3."If I Knew Then (What I Know Now)"Tina Turner2:47
4."You Better Think of Something"Tina Turner3:20
5."Bolic"Tina Turner2:28

Wikipedia 
AllMusic: 9 
Score: 5 

Let Me Touch Your Mind (1972)

Alongside the covers, and a song by Ike, are three songs by Tina. One of the songs. "Popcorn", is suggestive of "Nutbush City Limits". This album is similar to Feel Good, and another sign that Tina was heading out the door, but on the whole a fairly flat album, without the energy of Feel Good.

RateYourMusic

ReleasedJanuary 1973
Recorded1972
StudioBolic Sound (Inglewood, CA)
GenreR&Bsoulblues rockfunk rock
LabelUnited Artists
ProducerIke Turner, Andre Williams

Side A
No.TitleWriter(s)Length
1."Let Me Touch Your Mind"Oliver Sain3:59
2."Annie Had A Baby"Henry GloverLois Mann2:43
3."Don't Believe Her"Ike Turner2:52
4."I Had A Notion"Tina Turner2:44
5."Popcorn"Tina Turner3:08
Side B
No.TitleWriter(s)Length
1."Early One Morning"WhittakerLittle Richard (uncredited)3:38
2."Help Him"Tina Turner3:42
3."Up On The Roof"Gerry GoffinCarole King2:55
4."Born Free"John BarryDon Black3:20
5."Heaven Help Us All"Ron Miller3:12

This contains Tina's hit song "Nutbush City Limits" (the link is to a live version), as well as five other songs by her.   This is the complete song list:  "Nutbush City Limits" / "Make Me Over" / "Drift Away" / That's My Purpose / "Fancy Annie" / "River Deep, Mountain High" (1966 and1973 versions) / "Get It Out Of Your Mind" (scratched vinyl) / "Daily Bread" / "You Are My Sunshine" (scratched vinyl) / "Club Manhattan"

The "Nutbush City Limits" sound is well used throughout the album to the point of complete exhaustion, and none of the other songs match the power of that song. "Nutbush" is a great song, but the rest of the album makes for uncomfortable listening. There is a rumour that Marc Bolan played on the "Nutbush" track, possibly started by an erroneous memory by Bolan's girlfriend Gloria Jones - Bolan had played with Ike & Tina (on "Sexy Ida" and "Baby Get It On"), and it's likely that Jones remembered the wrong song. It is known that James "Bino" Lewis, a long term member of Ike's Rhythm Kings, played on "Nutbush".  

RateYourMusic 

ReleasedNovember 1973
RecordedJune - September 1973
StudioBolic Sound (Inglewood, California)
GenreR&Bsoul musicfunk rock
LabelUnited Artists
ProducerIke Turner

Side A
No.TitleWriter(s)Length
1."Nutbush City Limits" **Tina Turner2:55
2."Make Me Over"Ike Turner3:05
3."Drift Away"Mentor Williams3:20
4."That's My Purpose"Tina Turner4:38
5."Fancy Annie"Tina Turner2:20
Side B
No.TitleWriter(s)Length
1."River Deep, Mountain High"Phil SpectorJeff BarryEllie Greenwich4:02
2."Get It Out Of Your Mind"Ike Turner3:20
3."Daily Bread"Tina Turner2:45
4."You Are My Sunshine"Charles MitchellJimmie Davis3:22
5."Club Manhattan"Tina Turner2:50


AllMusic:  - no review
Score: 4 

The World Of Ike & Tina (1973)

A live double album.  Track list: "Theme From Shaft" / I Gotcha / Intro To Tina / She Came In Through The Bathroom Window / You're Still My Baby / Don't Fight It / Annie Had A Baby / With A Little Help From My Friends / Get Back / Games People Play / Honky Tonk Women / If You Love Me Like You Say (You Wouldn't Treat Me Like You Do) / I Can't Turn You Loose / I Wish It Would Rain / Just One More Day / Stand By Me / Dust My Broom / River Deep Mountain High / Let Me Touch Your Mind / Chopper / 1-2-3

I can't find the album or even any tracks from it. I put in a few live tracks from the same period just to give a flavour of the album.  Everyone does a professional show, and the band are tight, and it would have been an entertaining show if you were there. But this is clearly a band just going through the motions, and the live act doesn't translate well on a single album, let alone a double.


ReleasedSeptember 1973
Genre
Length72:30
LabelUnited Artists Records
Producer

Side A
No.TitleWriter(s)Length
1."Theme From 'Shaft'"Isaac Hayes5:32
2."I Gotcha"Joe Tex4:05
3."Intro To Tina" 1:24
4."She Came In Through The Bathroom Window"Lennon-McCartney2:17
5."You're Still My Baby"Chuck Willis3:00
6."Don't Fight It"Steve CropperWilson Pickett2:40
Side B
No.TitleWriter(s)Length
1."Annie Had A Baby"Henry GloverLois Mann3:10
2."With A Little Help From My Friends"Lennon-McCartney3:17
3."Get Back"Lennon-McCartney3:07
4."Games People Play"Joe South3:18
5."Honky Tonk Women"Keith RichardsMick Jagger3:09
Side C
No.TitleWriter(s)Length
1."If You Love Me Like You Say (You Wouldn't Treat Me Like You Do)"Ike Turner2:43
2."I Can't Turn You Loose"Otis Redding3:00
3."I Wish It Would Rain"WhitfieldStrongPenzabene3:29
4."Just One More Day"Redding, Cropper, Robinson3:35
5."Stand By Me"Ben E. KingElmo Glick4:00
Side D
No.TitleWriter(s)Length
1."Dust My Broom"Elmore James3:30
2."River Deep, Mountain High"Phil SpectorJeff BarryEllie Greenwich2:14
3."Let Me Touch Your Mind"Oliver Sain4:10
4."Chopper"Tina Turner3:00
5."1-2-3"John MedoraDavid WhiteLen Barry4:40

Wikipedia 
AllMusic: - no review
Score: 3

A gospel album. Ike's singing is quite dirge-like, and the Stevie Wonder style synths don't work with gospel. This is a very thin album, and even Tina's voice can't really save it. The wrong approach was used, and an opportunity missed - badly.

RateYourMusic

ReleasedApril 1974
RecordedOctober - November 1973
StudioBolic Sound
GenreGospelsoul music
LabelUnited Artists
ProducerIke Turner

Side A
No.TitleWriter(s)Length
1."Father Alone"S. Taylor4:17
2."Walk With Me (I Need You Lord To Be My Friend)" Trad3:40
3."Glory, Glory" Trad3:10
4."Just A Closer Walk With Thee" Trad6:17
5."What A Friend We Have In Jesus" Scriven, Converse2:50
Side B
No.TitleWriter(s)Length
1."Amazing Grace" Newton, Walker2:36
2."Take My Hand Precious Lord"T. A. Dorsey2:48
3."Nearer The Cross"C. W. Dieckmann - F. J. Crosby2:26
4."Our Lord Will Make A Way" Trad3:38
5."When The Saints Go Marching In" Trad3:03

AllMusic: 
Score:  2 1/2  


Sweet Rhode Island Red (Oct 1974)

Usual stuff - this sounds like competent session musicians going through the motions with poor self-composed songs that are trying to recapture the excitement of "Nutbush". The covers are generally the better things on the album. All in all, while a weak album, it has its moments, and is quite listenable.  

"Sexy Ida" was originally a non-album single, but is now included on the album. There are reports that Marc Bolan played guitar on this track. 

RateYourMusic 

ReleasedOctober 1974
RecordedFebruary – June 1974
StudioBolic Sound (Inglewood, CA)
Genre
LabelUnited Artists
Producer

Side A
No.TitleWriter(s)Length
1."Let Me Be There"John Rostill3:22
2."Living For The City"Stevie Wonder3:40
3."I Know"Barbara George3:17
4."Mississippi Rolling Stone"Don Goodman, Troy Seals3:02
5."Sugar Hill"Tina Turner3:07
6."Sexy Ida (Part 1)" (Not included on the original release)Tina Turner2:30
Side B
No.TitleWriter(s)Length
1."Sweet Rhode Island Red"Tina Turner3:06
2."Ready For You Baby"Tina Turner3:11
3."Smooth Out The Wrinkles"Tina Turner3:45
4."Doozie"Tina Turner2:50
5."Higher Ground"Stevie Wonder3:40
6."Sexy Ida (Part 2)" (Not included on the original release)Tina Turner3:03

AllMusic: 
Score: 3 1/2
 


Ike & Tina split up in 1976 after a physical row in the car in Dallas, Tina running off, leaving her children behind. Arrangements were later made for splitting up their property and music business, and children. Tina was declared responsible for the legal obligations for the broken contracts. 


Delilah's Power (1977)

Released by the record company after Ike and Tina had split. The recordings are from 1975. It's a listenable album, mostly in the synth accented rock style that they had slipped into, and which Tina would continue. But it's not a notable album. 


RateYourMusic

Released1977
Recorded1975
GenreRockfunk rockR&Bfunksoul
Length38:22
LabelUnited Artists
ProducerIke Turner
CompilerAlan Warner

Side A
No.TitleWriter(s)Length
1."Delilah's Power"Tina Turner2:57
2."Never Been to Spain"Hoyt Axton3:00
3."Unhappy Birthday"Tina Turner3:07
4."(You've Got to) Put Something into It"Tina Turner2:35
5."Nothing Comes to You When You're Asleep but a Dream"Tina Turner4:00
6."Stormy Weather" (Ethel Waters cover)Ted KoehlerHarold Arlen2.35
Side B
No.TitleWriter(s)Length
7."Sugar, Sugar" (The Archies cover)Jeff BarryAndy Kim2:43
8."Too Much for One Woman"Tina Turner3:00
9."Trying to Find My Mind"Tina Turner3:50
10."Pick Me Up (Take Me Where Your Home Is)"Leon WareIke Turner, Tina Turner, Aillene Bullock3:18
11."Too Many Women"Tina Turner3:34
12."I Want to Take You Higher" (Sly and the Family Stone cover from the single "Stand!")Sly Stone3:43


Wikipedia
AllMusic: - no review
Score: 3 1/2 


 
Airwaves (1978) 

A compilation of early recordings mostly not previously released on album put together by the record company.  There appear to be no copies available anywhere on the internet at the moment. Songs available on YouTube are linked in the tracklist below. 


RateYourMusic 

Released1978
GenreR&BSoul
LabelUnited Artists
ProducerIke Turner

Side A
No.TitleWriter(s)Length
1."Too Many Ties That Bind"Ike Turner, J.R. Bailey, Johnny Northern2:25
2."Strange" ^Billy Preston, Ike Turner3:01
3."He Don't Love You"Ike Turner2:32
4."Flee Flee Fla"Ike Turner2:19
5."Honey Child Baby"Ike Turner1:52
Side B
No.TitleWriter(s)Length
1."Just Want Your Love Sometime"Ike Turner3:14
2."We Need An Understanding"Ike Turner, Bailey, Northern2:03
3."Two Is A Couple"Ike Turner2:21
4."It's My Time Now"Ike Turner3:28
5."Dear John"Ike Turner2:27


Wikipedia 
AllMusic: 4 - no review 
Score: 4 


 
The Edge  (1980)

This was released as an Ike Turner album, but Side A consists of recordings done by Ike & Tina when they were still together - all covers. Side B is Ike solo.  There appear to be no copies available anywhere on the internet at the moment. Songs available on YouTube are linked in the tracklist below.  

There's nothing of interest here. The best track is the cover of Alice Cooper's "Only Women Bleed", but even that is disappointing. 


Side A
No.TitleWriter(s)Length
1."Shame, Shame, Shame"Sylvia Robinson3:03
2."Lean on Me"Bill Withers3:36
3."Philadelphia Freedom"Elton JohnBernie Taupin4:12
4."Use Me"Bill Withers3:12
5."Only Women Bleed"Alice CooperDick Wagner3:57
Side B
No.TitleWriter(s)Length
1."Party Vibes"Ike Turner4:39
2."Lum Dum"Ike Turner3:35
3."No Other Woman"Ike Turner3:34
4."I Can't Believe It"Ike Turner3:35
5."I Don't Want Nobody"Ike Turner3:45

AllMusic: - no review
Score: 3 (2) 



A good summary of Ike & Tina's work together. 



No.TitleWriter(s)Original releaseTime
1."A Fool in Love"Ike TurnerThe Soul of Ike & Tina Turner (1961)2:51
2."I Idolize You"Ike TurnerThe Soul of Ike & Tina Turner (1961)2:49
3."I'm Jealous"Ike TurnerThe Soul of Ike & Tina Turner (1961)2:11
4."It's Gonna Work Out Fine"McCoy, McKinneyDynamite (1962)3:01
5."Poor Fool"Ike TurnerDynamite (1962)2:32
6."Tra La La La La"Ike TurnerDynamite (1962)2:38
7."You Should'a Treated Me Right"Ike TurnerDynamite (1962)3:37
8."Come Together"Lennon-McCartneyCome Together (1970)3:39
9."Honky Tonk Women"Mick JaggerKeith RichardsCome Together (1970)3:08
10."I Want to Take You Higher"Sly StoneCome Together (1970)2:52
11."Workin' Together"Ike TurnerWorkin' Together (1970)3:31
12."Proud Mary"John FogertyWorkin' Together (1970)9:56
13."Funkier Than a Mosquito's Tweeter"Alline BullockWorkin' Together (1970)2:33
14."Ooh Poo Pah Doo"Jessie HillWorkin' Together (1970)3:34
15."I'm Yours (Use Me Anyway You Wanna)"Lane, Robertson, Blair, ReeseNon-album single (1971)2:50
16."Up in Heah"Tina Turner, Leon WareNon-album single (1972)3:03
17."River Deep, Mountain High"Spector, BarryGreenwichRiver Deep – Mountain High (1966)3:28
18."Nutbush City Limits"Tina TurnerNutbush City Limits (1973)2:58
19."Sweet Rhode Island Red"Tina TurnerSweet Rhode Island Red (1974)3:15
20."Sexy Ida (Part 1)"Tina TurnerSweet Rhode Island Red (1974)2:29
21."Sexy Ida (Part 2)"Tina TurnerSweet Rhode Island Red (1974)3:01
22."Baby, Get It On"Ike TurnerAcid Queen (1975)3:10
23."Acid Queen"Pete TownshendTommy (1975)2:59


Wikipedia 
Score: 

Discography




Best albums: 

Conclusion 

Ike & Tina Turner were a moderately successful, if inconsistent, R&B act from 1961 to 1976 with a high energy and visually exiting stage act. Recorded material is mostly weak, relying mostly on derivative originals by Ike, and increasingly toward the end of their career covers and some equally derivative songs by Tina. Though both were capable of writing a decent song or two. They frequently changed record companies, and would reuse or rerecord their better songs. Many of the earlier albums are out of print and have not been reissued on CD. Though their main genre was R&B, they would move into other genres that were popular, and  tried out blues, soul, pop, funk, gospel, country, and rock. Rock music worked for them, especially after touring as the support act for The Rolling Stones, when the rock audience embraced them.

Ike was the leader of the act, deciding what direction they would take, making all the business decisions, arranging the music, and playing the rhythm guitar. However, it is Tina's full throttle voice and stage persona that mark the band out as exceptional. She achieved greater commercial success and attention as a solo artist, though - notwithstanding some powerful and well staged concert performances when solo, and the very strong Private Dancer album - it is the work she did with Ike that is generally most respected. 

Summary 

[Note: Aspects which go toward final score are given a rough percentage figure of how much that aspect influenced the score. However, some bands may exceed that percentage, particularly if their main focus is in that area.]

Voice/Musicianship (15%) 
Powerful voice. Solid musicianship. 

Image/Star quality (5%)
Tina was the star, and became big after she went solo and released Private Dancer (1984)

Lyrics/Music (20%)
Solid, though not original. 

Impact/Influence (10%) 
Poor management, and Ike's wary approach to business deals meant they never had the impact they could and should have had. Tina felt that Jagger copied some of her moves.

Popularity (5%)
They were always popular, and became a household name, but didn't really hit the big time when together. After they split, Ike almost disappeared from view, while Tina became a global megastar. 

Emotional appeal (5%)
Raw and earthy, but quite simple. 

Ike was a solid RnB performer - he slowly kept the act up to date, though mostly stayed loyal to the music that was clearly close to his heart. 

Art (5%) 
More entertainment than art. 

Classic albums/songs (5%) 
Not the albums so much, but a few songs have become classics. 

Originality/Innovation (5%)
Ike himself has been proposed as one of the originators of Rock and Roll, but essentially he was an RnB man, and his revue was typical of the Chittlin Circuit. 

Legacy (10%)
Yes, as one of the best examples of exciting  revue based RnB. 

Total: 47/100


Best songs: Ike & Tina Turner




Tina Turner solo albums 


Tina's first solo album - recorded and released while still with Ike. It consists of covers of country songs, recorded at Ike & Tina's Bolic Sound studio with Nashville musicians and producer. It's an indifferent album, not utilising Tina's strengths. 

ReleasedSeptember 1974
RecordedJune 1974
StudioBolic SoundInglewood, California
GenreCountryR&B
Length33:49
LabelUnited Artists
ProducerTom Thacker

Side A
No.TitleWriter(s)Length
1."Bayou Song"P.J. Morse3:22
2."Help Me Make It Through the Night"Kris Kristofferson2:48
3."Tonight I'll Be Staying Here With You"Bob Dylan2:58
4."If You Love Me (Let Me Know)"John Rostill3:00
5."He Belongs to Me"Bob Dylan3:59
Side B
No.TitleWriter(s)Length
1."Don't Talk Now"James Taylor2:58
2."Long Long Time"Gary White4:42
3."I'm Movin' On"Hank Snow2:37
4."There'll Always Be Music"Dolly Parton4:10
5."The Love That Lights Our Way"Fred Karlin, Marsha Karlin3:15

AllMusic: - no review 
Score: 3 (3) 



Acid Queen (1975) 

Tina's second solo album - recorded and released when Tina was still with Ike, released to cash in on the success of her appearance as the Acid Queen in the film version of  The Who's Tommy.  It's a mostly indifferent album. Side A is all rock music covers, poorly done. Side B is songs written and produced by Ike, and is the stronger side, kicking off with the gutsy Ike & Tina Turner "Baby, Get It On", a T. Rex influenced song with Marc Bolan playing one of the guitars.  But that is not quite enough to save it. 


ReleasedAugust 1975
Recorded1975
StudioBolic SoundInglewood, California
Genre
Length35:29
Label
Producer

Side A
No.TitleWriter(s)Length
1."Under My Thumb"JaggerRichards3:22
2."Let's Spend the Night Together"Jagger, Richards2:54
3."Acid Queen" *Pete Townshend3:01
4."I Can See for Miles"Pete Townshend2:53
5."Whole Lotta Love"Led Zeppelin5:24
Side B
No.TitleWriter(s)Length
6."Baby, Get It On" (Ike & Tina Turner) *Ike Turner5:34
7."Bootsy Whitelaw"Ike Turner5:06
8."Pick Me Tonight"Ike Turner3:13
9."Rockin' and Rollin'"Ike Turner4:02

Score: 4 (3)  


Rough (1978)

Tina's first solo album after she and Ike split up. It's a tentative collection of rock/pop/disco songs. Nothing that strong. The tongue-in-cheek cover of Elton John's "The Bitch Is Back" is the most spirited contribution. Neither the album nor any of the singles released from it made any impact. Tina's singing is raw and rocky in an appealing raspy manner, and she controls it well. It's the voice that will prove commercially successful later on when she finds the right material. Here, apart from "Bitch", it's the material that lets her down. 

ReleasedSeptember 1978
Recorded1977
StudioConway Recording StudiosHollywood, California
Genre
Length41:15
Label
ProducerBob Monaco

Side one
No.TitleWriter(s)Length
1."Fruits of the Night"Pete Bellotte, Edo Zanki, Vilko Zanki4:05
2."The Bitch Is Back"Elton JohnBernie Taupin3:30
3."The Woman I'm Supposed to Be"Cliff Wade3:10
4."Viva La Money"Allen Toussaint3:14
5."Funny How Time Slips Away"Willie Nelson4:08
6."Earthquake & Hurricane"Willie Dixon2:30
Side two
No.TitleWriter(s)Length
7."Root, Toot Undisputable Rock 'n' Roller"Gary Jackson4:29
8."Fire Down Below"Bob Seger3:13
9."Sometimes When We Touch"Dan HillBarry Mann3:54
10."A Woman in a Man's World"Hal David, Archie Jordan2:41
11."Night Time Is the Right Time"Leroy Carr6:21

AllMusic: 6 
Score: 4 

Love Explosion (1979)

A competent commercial album, but no tracks stand out. Just going through the motions. As it was unsuccessful, United Artists terminated her contract. 

ReleasedNovember 2, 1979[1]
RecordedMarch 1979[2]
Length36:05
Label
ProducerAlec R. Costandinos

No.TitleWriter(s)Length
1."Love Explosion"Lenny Macaluso, Pat Summerson5:55
2."Fool For Your Love"Leo SayerMichael Omartian3:24
3."Sunset on Sunset"LivseyCourtneyNiles3:35
4."Music Keeps Me Dancin'"Lenny Macaluso, Pat Summerson3:49
5."I See Home"Allee WillisDavid Lasley5:19
6."Backstabbers"HuffMcFaddenWhitehead3:34
7."Just a Little Lovin'"Barry MannCynthia Weil3:12
8."You Got What I'm Gonna Get"Chris Bennett, Molly Ann Leikin3:08
9."On the Radio"Victor Carstarphen3:49

Wikipedia
AllMusic: 5
Score: 3

Private Dancer (1984)

Oooh. Right from the off this stands out as a crisp and confident production. And the material is strong. Even the cover has a stylish and iconic confidence to it compared to the casual throwaway covers that have gone before. Credit for the album's success can be given to John Carter, who saw potential in Tina, despite her patchy history and poor recent record sales, and persuaded his record company, Capitol Records, to sign her, and then proceeded to assemble quality material, producers, and session musicians, and oversee the whole project. The album produced seven successful singles including "Private Dancer" and the global hit "What's Love Got To Do With It". Slick, yes. Far removed from the raw power of her 1961 debut  "A Fool In Love", yes. But there is much to be admired in the English sophisti-pop sound of the album, and the way that Tina confidentially uses her voice. She has the power, and she has the control. And she has experience and sophistication. It's a different sound, and should be admired and appreciated for what it is.

The album is mostly covers, but two songs were specially written for Tina, and two songs were not written for her, but had been previously unreleased. No songs are written or produced by Tina. 

ReleasedMay 29, 1984
Recorded1983–1984
StudioFarmyard, MayfairWessexGood EarthAbbey Road & CBS (London, England)
Genre
Length44:02
LabelCapitol
Producer

$ = Tracks written specially for the album  & = Tracks not specially written, but first released on this album
No.TitleWriter(s)Length
1."I Might Have Been Queen" $ObstojHine, West-Oram4:10
2."What's Love Got to Do with It" * & Terry BrittenGraham Lyle3:48
3."Show Some Respect" $Britten, Sue Shifrin3:18
4."I Can't Stand the Rain"Ann PeeblesDon Bryant, Bernard Miller3:41
5."Private Dancer" * &Mark Knopfler7:11
6."Let's Stay TogetherWillie MitchellAl GreenAl Jackson, Jr.5:16
7."Better Be Good to Me"Holly KnightNicky ChinnMike Chapman5:11
8."Steel Claw"Paul Brady3:48
9."Help!"John LennonPaul McCartney4:30
10."1984"David Bowie3:09

Wikipedia
AllMusic: 9
Score: 6 1/2 (5) 

"We Don't Need Another Hero" * (July 1985)
Successful single promoting the blockbuster film
Max Max Beyond The Thunderdome
It was also included on the soundtrack album.




Break Every Rule (1986)

This feels and sounds like the runner up to a successful album - let's try and recreate the same sound! It worked before, so it should work again!  Of course it sold, because follow up albums always do. And people loved Tina, so they swallowed it whole. But it doesn't work. It hasn't got the same tightness, the same energy, nor - despite using a lot of the same collaborators - does it have the same quality material. It's slick and superficial - the opposite of the raw sexuality, energy and authenticity she had with Ike, the opposite of her essence. This is Tina tamed for commercial consumption.  It feels like so much of Tina's history - decent talent just going through the motions.

ReleasedSeptember 23, 1986
Recorded1986
Genre
Length50:13
LabelCapitol
Producer

Side one
No.TitleWriter(s)Length
1."Typical Male"Terry BrittenGraham Lyle4:18
2."What You Get Is What You See"Britten, Lyle4:31
3."Two People"Britten, Lyle4:11
4."Till the Right Man Comes Along"Britten, Lyle4:11
5."Afterglow"Britten, Lyle4:30
6."Girls"David BowieErdal Kızılçay4:56
Side two
No.TitleWriter(s)Length
7."Back Where You Started"Bryan AdamsJim Vallance4:27
8."Break Every Rule"Rupert HineJeannette Obstoj4:02
9."Overnight Sensation"Mark Knopfler4:40
10."Paradise Is Here"Paul Brady5:35
11."I'll Be Thunder"Hine, Obstoj5:21

Wikipedia
AllMusic: 6
Score: 4 (3) 

Tina Live In Europe (1988) 

Double live album trawling through tours between 1985 and 1987 and dragging in big names here and there - Bowie, Clapton, Bryan Adams, etc. Tina released loads of live albums when with Ike, and they generally had a sense of energy and focus; this is a lifeless collection. Quantity does not equal quality. The best tracks are the cover of  "Addicted To Love" (which succeeds because it's a good song and survives the inept guitar solo, the lumpen rhythm section, the cheesy sax break, and Tina's over-straining vocals), and a high energy blast through her own "Nutbush". The album as a whole would have pleased her Eighties fans though, and it sold reasonably well. And the concerts would have been fun to attend. Though not as much fun as being at an Ike & Tina Turner Revue! And, to be fair, it's a professionbal and listenable album. But it is not a great album. 

Released1988
Recorded1985–1987
Venue
Genre
Length121:54
LabelCapitol
ProducerJohn Hudson,
Terry Britten

Disc 1

No.TitleWriter(s)Length
1."What You Get Is What You See"Terry BrittenGraham Lyle5:34
2."Break Every Rule"Rupert HineJeannette Obstoj4:28
3."I Can't Stand the Rain"Ann PeeblesDon Bryant, Bernard Miller3:25
4."Two People"Britten, Lyle4:26
5."Girls" (CD bonus)David BowieErdal Kızılçay4:54
6."Typical Male"Britten, Lyle3:59
7."Back Where You Started" (CD bonus)Bryan AdamsJim Vallance4:21
8."Better Be Good to Me"KnightChinnChapman6:29
9."Addicted to Love"Robert Palmer5:22
10."Private Dancer"Mark Knopfler5:37
11."We Don't Need Another Hero (Thunderdome)"Britten, Lyle4:56
12."What's Love Got to Do with It"Britten, Lyle5:28
13."Let's Stay Together"Willie MitchellAl GreenAl Jackson Jr.4:40
14."Show Some Respect"Britten, Sue Shifrin3:05

Disc 2

No.TitleWriter(s)Length
1."Land of a Thousand Dances"Chris Kenner3:06
2."In the Midnight Hour"Wilson PickettSteve Cropper3:32
3."634–5789" (with Robert Cray)Eddie Floyd, Cropper3:05
4."A Change Is Gonna Come" (guitar solo by Robert Cray)Sam Cooke6:44
5."River Deep – Mountain High" (CD bonus)Phil SpectorJeff BarryEllie Greenwich4:11
6."Tearing Us Apart" (with Eric Clapton)Eric Clapton, Greg Phillinganes4:41
7."Proud Mary"John Fogerty4:47
8."Help!"John LennonPaul McCartney5:03
9."Tonight" (with David Bowie)Bowie, Iggy Pop4:15
10."Let's Dance" (with David Bowie)Bowie3:27
11."Overnight Sensation" (CD bonus)Knopfler3:54
12."It's Only Love" (with Bryan Adams)Adams, Vallance4:15
13."Nutbush City Limits"Tina Turner3:43
14."Paradise Is Here"Paul Brady5:41


Wikipedia
AllMusic: 4
Score: 4 (4) 

Foreign Affair (1989)

Strong album which doesn't attempt to copy Private Dancer, but follows its own route. And does it well. "Steamy Windows" is a bold and attractive opener, sounding like a cross between Mark Knopfler and JJ Cale. And is then followed by one of her most successful singles, "The Best". Much of the slick pop-jazz of Private Dancer has given way to something more earthy and adult on this album, though still keeping an eye on the crowd with a pleasing pop sensibility and a lack of anything that might have too narrow an interest. MOR rock with a broad appeal is what this is. And it's done rather well. Very confident, solid, and likeable.


ReleasedSeptember 13, 1989
StudioThe Hit Factory (New York, New York, USA); Pathé-Marconi Studios (Paris, France).
GenrePop rock
Length52:16
LabelCapitol
Producer

No.TitleWriter(s)Length
1."Steamy Windows" * Tony Joe White4:03
2."The Best" *Mike ChapmanHolly Knight5:30
3."You Know Who (Is Doing You Know What)"White3:45
4."Undercover Agent for the Blues"White, Leann White5:20
5."Look Me in the Heart"Tom Kelly, Billy Steinberg3:46
6."Be Tender with Me Baby"Albert Hammond, Knight4:18
7."You Can't Stop Me Loving You"Hammond, Knight4:00
8."Ask Me How I Feel"Hammond, Knight4:46
9."Falling Like Rain"David Munday, Sandy Stewart4:03
10."I Don't Wanna Lose You"Hammond, Graham Lyle4:20
11."Not Enough Romance"Dan Hartman4:04
12."Foreign Affair"White4:27

Wikipedia
AllMusic: 6
Score: 6 (5) 


 
What's Love Got to Do With It (1993, soundtrack)

A mix of new songs, an old song, and - mostly - new versions of old Ike & Tina songs.  The new version (covers?) are mostly quite professional, though some are a little cringe-worthy, like the imitation Ike voice on "Proud Mary", but none are as good as the originals. 


ReleasedJune 15, 1993
Recorded
  • 1984,
  • 1993
Genre
Length51:52
LabelParlophone

No.TitleWriter(s)Length
1."I Don't Wanna Fight"Lulu, Lawrie, DuBerry6:06
2."Rock Me Baby" (1993 version)Riley KingJoe Josea3:57
3."Disco Inferno"Green, Ron Kersey4:03
4."Why Must We Wait Until Tonight"AdamsLange5:53
5."Stay Awhile"BrittenLyle4:50
6."Nutbush City Limits" (1993 v)Tina Turner3:19
7."(Darlin') You Know I Love You" (1993 v)King, Jules Taub4:27
8."Proud Mary" (1993 v)John Fogerty5:25
9."A Fool in Love" (1993 v)Ike Turner2:54
10."It's Gonna Work Out Fine" (1993 v)McKinney, McCoy2:49
11."Shake a Tail Feather" (1993 v)Rice, Hayes, Williams2:32
12."I Might Have Been Queen" (Private Dancer; 1993 v)ObstojHine,  West-Oram, Tina Turner*4:20
13."What's Love Got to Do with It" (Private Dancer)Britten, Lyle3:49
14."Tina's Wish" (1993 v)Tina Turner, Ike Turner3:08

AllMusic: 
Score:  3 

  
Wildest Dreams (1996)


This is a solid commercial pop-rock album, polished and professional. The songs aren't great, but with the production values, and Tina's strong voice, it holds a genuine appeal. Overall it is a better quality and more consistent album than Private Dancer, but it doesn't have a single like "What's Love Got to Do with It" to propel it into the public eye, so it hasn't sold as well. It's noticeable that she sings GoldenEye in the style of Shirley Bassey. And that put me in mind of Bonnie Tyler, and other big voiced female singers. It seems to me that in the later part of her career, Tina was part of that group of big voiced female singers, while in the Sixties she was in a class of her own. 


ReleasedApril 22, 1996
RecordedSummer 1995–Early 1996
Genre
LabelParlophone
Producer

No.TitleWriter(s)Length
1."Do What You Do" *Britten Lyle Reeves4:23
2."Whatever You Want" *Arthur BakerTaylor DayneFred Zarr4:52
3."Missing You" *Leonard, Sandford, John Waite4:36
4."On Silent Wings" (featuring Sting)James Ralston, Tony Joe White6:12
5."Thief of Hearts"Friedman, Hattler, Kraus, Allan Rich4:05
6."In Your Wildest Dreams" (featuring Antonio Banderas)Mike ChapmanHolly Knight5:33
7."GoldenEye" (Single edit) *BonoThe Edge3:27
8."Confidential"Chris LoweNeil Tennant4:39
9."Something Beautiful Remains"Britten, Lyle4:20
10."All Kinds of People"Sheryl CrowGilbert, Pressley4:43
11."Unfinished Sympathy"NajaDaddy GNelson, Sharp, Vowles4:30
12."Dancing in My Dreams"Mark Cawley, Kye Fleming, Russell12:05
13."Love Is a Beautiful Thing" (Japanese bonus track)Seth Swirsky3:45

AllMusic: 
Score: 7 (5 1/2) 

Tina's last studio album. As always it's a workable album - good production quality, and Tina delivers her vocals with the strength and clarity she is known for. At times, such as with "Without You", there is a palpable energy. It's a decent album to bow out with. No embarrassment at all. But it's not a great album, it's not a memorable album, it's not an album that stands out. It's simply a job done album. 


ReleasedOctober 28, 1999
Genre
Length47:09
LabelParlophone
Producer

No.TitleWriter(s)Producer(s)Length
1."Whatever You Need"Roberts,  CourtenayJohnny Douglas4:49
2."All the Woman"Wilson, Watkins,  AckermanAbsolute, Douglas[a]4:03
3."When the Heartache Is Over"Graham Stack, John ReidBrian Rawling, Mark Taylor3:44
4."Absolutely Nothing's Changed"Terry Britten, John O'KaneBritten3:43
5."Talk to My Heart"Douglas, Graham LyleDouglas5:08
6."Don't Leave Me This Way"Paul Barry, Taylor, RawlingRawling, Taylor4:19
7."Go Ahead"James House, Anthony LittleDouglas4:20
8."Without You"Wilson, Watkins, MayAbsolute4:06
9."Falling"Tim Fraser, Sol ConnellBritten4:21
10."I Will Be There"The Bee GeesAbsolute, Douglas[b]4:37
11."Twenty Four Seven"Britten, Charlie DoreBritten3:47

Wikipedia
AllMusic: 
Score: 4 (3 1/2) 


 
Tina Live (2009)

A useful live album. She has a great voice, knows how to put on an entertaining show, and has a healthy selection of decent songs in her repertoire. 
 
ReleasedSeptember 28, 2009 (Europe)
RecordedMarch 21, 2009 at the GelreDome in Arnhem, Netherlands
Genre
Label

No.TitleWriter(s)Length
1."Steamy Windows"Tony Joe White4:26
2."River Deep – Mountain High"Phil SpectorJeff BarryEllie Greenwich3:53
3."What You Get Is What You See"Terry BrittenGraham Lyle4:02
4."Better Be Good to Me"KnightNicky ChinnMike Chapman6:25
5."What's Love Got to Do with It"Britten, Lyle3:39
6."Private Dancer"Mark Knopfler6:29
7."We Don't Need Another Hero (Thunderdome)"Britten, Lyle5:10
8."Let's Stay Together"Willie MitchellAl GreenAl Jackson Jr.4:07
9."Jumpin' Jack Flash"Mick JaggerKeith Richards1:47
10."It's Only Rock 'n Roll (But I Like It)Jagger, Richards3:22
11."GoldenEye"BonoThe Edge4:07
12."Addicted to Love"Robert Palmer4:53
13."The Best"Chapman, Knight5:06
14."Proud Mary"John Fogerty9:51
15."Nutbush City Limits"Tina Turner7:34

Wikipedia 
AllMusic: 
Score: 


Conclusion





Summary 

[Note: Aspects which go toward final score are given a rough percentage figure of how much that aspect influenced the score. However, some bands may exceed that percentage, particularly if their main focus is in that area.]

Voice/Musicianship (15%)

Image/Star quality (5%)

Lyrics/Music (20%)

Impact/Influence (10%)

Popularity (5%)

Emotional appeal (5%)


Art (5%)

Classic albums/songs (5%)

Originality/Innovation (5%)

Legacy (10%)

Total: 100


Links



Live videos:

1960s 
1971-72 home made compilation (black and white)

Reviews
* Wilson & Alroy 

Full discography 

Albums ranked
* Robert Christgau
* Wilson&Alroy 
* Buyer's Guide



Best songs: Ike & Tina Turner and Tina Turner

Ike &  Tina Turner

"I'm Jealous" (1961)
"I Idolize You" (1961)
"Chances Are" (1961)
"A Fool In Love" (1961)
"You Should'a Treated Me Right" (1962)
"It's Gonna Work Out Fine" (1962) 
"Poor Fool" (1962)
"River Deep – Mountain High" (1966)
"I Am a Motherless Child" (1968)
"Dust My Broom" (1968)
"The Hunter" (1969)
"Bold Soul Sister" (1969) 
"(As Long As I Can) Get You When I Want You"  (1970)
"Get Back"  (1970)
"The Way You Love Me" (1970)
"You Can Have It" (1970)
"Funkier Than a Mosquita's Tweeter"  (1970)
"Proud Mary"  (1970) 
"Nutbush City Limits" (1973)  
"Acid Queen" (1975) 
"Baby, Get It On" (1975)  

Tina Turner

"What's Love Got to Do with It" (1984)
"Private Dancer" (1984)
"We Don't Need Another Hero" (1985)
"Steamy Windows" (1989)
"The Best" (1989)
"Do What You Do" (1996)
"Whatever You Want" (1996)
"Missing You" (1996)
"GoldenEye" (1996) 





556    March 2019 
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