Friday 27 December 2019

A Walk Around Petersfield




I did the Butser Hill Challenge in 2017 with my niece's partner, Martin, and we had lunch afterwards in the Wetherspoon in Petersfield. I thought that the town looked interesting, so a few weeks later stopped for a little pub crawl after dropping off the girls at Gatwick airport.

I visited the Red Lion (Wetherspoon), The Townhouse (modern), Charles St. Tap (craft bar), The Old Drum (gastro), and Square Brewers (Fullers).  The Fullers pub was the most traditional, while the Wetherspoon offered the best value, but was also the most popular so there was a long queue at the bar. Fullers competes well with Wetherspoon, offering good value food and a good number of cask beers (five), though Wetherspoon has a greater range of breweries and brands to choose from.

Red Lion, Wetherspoon


Red Lion, Wetherspoon
We loved the building. It has been a pub since the 1600s, and in the modernisation Wetherspoons have retained significant character, creating a large and interesting space with cosy nooks and crannies scattered around fireplaces. Sadly, the bar area is small, so on busy days there are long queues, especially for food. And the beer selection is fairly limited for a Wetherspoon pub.

Beer selection and sample tray
The whole building is Grade II listed, from the small attached building, known as The Tap, in Heath Road, which is the oldest part, and is the original pub, through the corner location main building, to the more recent (early 1800s) and larger building by the car park, which has the upper floor bay window.

The Luker brewery and Petersfield's almshouse on the site of
the Red Lion's car park.
Where the pub car park is, there used to be the town's almshouse, and also Luker's brewery. The brewery was taken over by Strong's of Romsey in 1934, who transferred the brewery operation to their own brewery. The building burned down the same year, and the remains were then demolished.

This and the Square Brewery pub are possibly the two best pubs in Petersfield. I think I like the Square Brewery slightly more. It's interesting that both have historic associations with Petersfield's long gone breweries.

WhatPub
Wetherspoons
Trip Advisor
BITE

The Townhouse


Townhouse ambiance
Attractive bistro style cafe/bar serving local craft beer. I really liked the ambiance of the place, and that it has a selection of interesting local beers. Seating is mixed - there are high tables and stools, coffee tables, and standard cafe tables. I found it pleasant to sit in the window and gaze out at Petersfield passing by. The window is a bit of a sun trap, however, and I had to reluctantly move further into the cafe to get some shade. 

Townhouse beer selection
Service is relaxed and friendly. I ordered a soup of the day (veggie) and bread for around £7. The bread was very nice - it was grilled, but sadly the soup was watery and inedible. I was hoping a member of staff would ask me if everything was OK so I could mention to them that the soup was watery, but that doesn't seem to be their style. I would expect there had been mistake in making the soup, but rather than going up to the bar and making a complaint, and then working through the alternatives with them, I preferred to simply leave it. The Square Brewery were doing a veggie soup and bread for £5.


Website
WhatPub
Trip Advisor

Charles Street Tap


Charles Street Tap

This craft beer bar and kitchen looks and sounds promising, but they present difficulties with their beer dispense system, as the taps are behind the counter, which makes it really hard to see what's on offer. They have a list but that is on a wall behind the bar, and is also small, so I had to stand in front of it to read it. And when I did I was disappointed at how few beers were really "craft". Most beers were simply keg beers from the big breweries, with some beers from smaller traditional breweries who would not think of themselves as being part of the modern American style craft beer movement which is about using off the shelf lab yeast, and filtering and force carbonating for stability. Flack Manor beers were on offer, and while they are small and young, they are a proper traditional brewery.

The Tap range
I wasn't impressed with this place. I would place it bottom of the pubs I visited in Petersfield. It's probably popular with students and trendy types. It is the antithesis of Fuller's Square Brewery. I could imagine that some students would find the Square Brewery too old fashioned.


WhatPub
Website
Facebook
Trip Advisor

The Old Drum


The Old Drum
The Old Drum looked very promising on the outside. A traditional looking old pub that's been around for hundreds of years. On going inside I can see and feel that it's been refurbished into a modern gastro pub. Or, rather, one half is a restaurant, and the other half still retains some awareness of being a pub, though feels more like a modern bar.


Ambiance in the Old Drum
There were four cask beers on offer, plus a cider, so not a bad selection. I had the Andwell 5 Little Fishes, a malty beer.
The bar area is clean and attractive, and this is the place you'd bring your partner for a drink or meal, but you wouldn't come here with your mates for an evening session.

WhatPub
Trip Advisor
Pub website


Plaque on the Old Drum

Oh well, we shouldn't let truth get in the way of a good plaque. Curious, I looked up H. G. Wells. He never lived in Petersfield. His mother was a house maid at a country house 10 miles away, and he went to stay with her briefly when he was 13. He was later a student then a teacher at Midhurst School, about 20 miles away, and then didn't return to the area for the rest of his life, living and writing mainly in London.

I see no scholarly account that puts Wells in that pub (or even the town - though Wells mentions Petersfield Station in his own writings in his account of when his mother was dishonourably discharged from her duties in the country house, and caught the train there), but I see the story that he "regularly dined and wrote" there all over the place - people simply copying the story without bothering to check the facts.

My most likely explanation is that his father (who lived and worked in the area as a gardener long before H. G. was born) might have done some gardening for the pub, and the story got tangled over time. The closest pub connection I can find in the area is that while he was a student teacher at Midhurst School, he lodged next door to the Angel Inn in Midhurst.


Square Brewery


Square Brewery, a Fullers pub
The Square Brewery was my last stop. Bang in the middle of the town, with a view over the square, this is a proper traditional pub serving five cask beers and good value food in a characterful environment. I liked it a lot.

Five pumps (only four showing) 
I had the Red Fox, which was served a little too cold for my taste, not allowing the malt to come through, but was an acceptable Autumn ale.


Ambiance in the Square Brewery
There is a pleasant, laid back and welcoming atmosphere in this well run pub.  I have been looking into the history, and Gales Brewery (which Fullers bought in 2006) took over the Week's Brewery, who owned and brewed at The Square Brewery, which either served as its brewery tap or it was a brewpub, in 1907, closing down the brewery operation. The brewery had been in operation since at least 1739, when it was owned by the Holland family.


Pub website
WhatPub
Trip Advisor



Saturday 21 December 2019

Simon & Garfunkel and Paul Simon album by album




Paul Simon has been an interesting writer for some years. His work with Art Garfunkel, which started in the 1950s, became iconic during the Sixties, and the sound they created appeared to define the times. They made six albums (including The Graduate) - the last three form a holy trinity of fascinating, transcending, pop-folk that was immediate and vital at the time, and still retains a fascination and resonance today. Their last album, Bridge Over Troubled Water, was universally adored, and remained in the album charts for over a year. It is an outstanding artistic and cultural achievement. The duo split up, and Simon made a series of solo albums, some better than others, and all moderately interesting - but nothing as iconic and moving as his best work with Garfunkel. In 1981 they got together for The Concert in Central Park, which appeared to reaffirm that the emotional heart of Simon's work was with Garfunkel. That's what the public wanted and adored, and while his solo career was doing OK, it was not on the same scale of acceptance and appreciation as his work with Garfunkel. The critics said positive things, and the albums sold, but there wasn't the buzz and feel of Simon & Garfunkel.

And then in 1986, as the world was starting to get into "World Music", and African music was starting to make itself felt, Simon heard the Boyoyo Boys, and decided to make an album in South Africa, despite the cultural boycott at that time against the racist regime. The album was Graceland - and it had a massive, cultural, musical, and social impact. The album was not without controversy, which continues to this day, but it was, without a doubt, a landmark album, and one that - at last - outshone what Simon had done with Simon & Garfunkel. While the jury may still be out on the enduring legacy of Bridge Over Troubled Water (lovely though it is - is it a lasting piece of work, or it is ephemeral?), without a doubt, Graceland is a towering work of art, that will be listened to and studied for years to come. A clear, and quite wonderful classic.

Simon gave his last tour in 2018, and has now retired.


Early recordings

 
"I Wish I Weren't In Love" (Oct 1961) 
Johnny Landis




 
Two Teenagers

 
An album that collects early recordings of both Paul Simon and Art Garfunkel - separate (as Johnny Landis, etc for Simon, and Artie Garr for Garfunkel) and together (as Tom & Jerry).
 

Tracklist

1Tom & JerryHey Schoolgirl2:16
2Tom & JerryDancin' Wild2:17
3True TaylorTrue Or False2:10
4True TaylorTeenage Fool2:45
5Tom & JerryOur Song1:56
6Tom & JerryTwo Teenagers2:22
7Tom & JerryThat's My Story2:32
8Tom & Jerry(Pretty Baby) Don't Say Goodbye2:02
9Jerry LandisAnna Belle2:01
10Jerry LandisLoneliness2:15
11Tom & Jerry*Baby Talk2:07
12Artie GarrBeat Love2:07
13Artie GarrDream Alone2:20
14Jerry LandisJust A Boy2:09
15Jerry LandisShy2:28
16Jerry LandisThe Lipstick On Your Collar2:11
17The MysticsAll Through The Night2:32
18The MysticsI Begin (To Think Of You)2:26
19Artie GarrPrivate World2:48
20Artie GarrForgive Me2:34
21Jerry LandisPlay Me A Sad Song2:18
22Jerry LandisIt Means A Lot To Them2:08
23Jerry LandisI Wish I Weren't In Love2:02
24Jerry LandisI'm Lonely2:16
25Tico And The TriumphsMotorcycle2:08
26Tico And The TriumphsI Don't Believe Them2:05




 
"Motorcycle" (Nov 1961) 
Tico and The Triumphs

A novelty song written and sung by Simon for a band called Tico and The Triumphs  which he was helping and writing songs for, and would sometimes sing with on recordings. "Motorcycle" reached 97 in the US chart. The group released three other singles, but none sung by Simon.   Simon used the band to accompany him on "I Wish I Weren't In Love" under the name Johnny Landis. 







Wednesday Morning, 3 A.M. (Oct 1964)

Their debut. A folky album, quite nicely done, with a mix of traditional folk songs and Paul Simon originals. This is a very pleasant and listenable album.  It didn't sell, so the boys broke up - Simon moving to England where he recorded his first solo album. When "Sounds of Silence", overdubbed with electric instruments, became a surprise hit, the boys reunited, and the album was re-released in 1966. The version of "The Sound of Silence" on the album is the original without the electric over-dubbing.

When I first reviewed this I thought it was a "sadly over-looked album", but on revisiting it I don't think that's the case. There's some pleasant stuff, some ordinary stuff, and some poor stuff. Overall, not a great album, but has an interest as the debut of Simon & Garfunkel. The engineer was Roy Halee who would later become their producer, and is regarded as essential to their sound. 

Some other folk albums released around this time were:  Peter, Paul & Mary: In The Wind (Oct 1963); Bobby DarinGolden Folk Hits (Nov 1963);  The Kingston Trio: Time To Think (Dec 1963); Bob Dylan: The Times They Are A-Changin' (Jan 1964);  Joan Baez: /5 (Oct 1964); 

ReleasedOctober 19, 1964
RecordedMarch 10–31, 1964
StudioColumbia Studios, New York City
GenreFolk[1][2]
Length31:38
LabelColumbia
ProducerTom Wilson

Side one
No.TitleWriter(s)RecordedLength
1."You Can Tell the World"arr by. Paul SimonMarch 31, 19642:47
2."Last Night I Had the Strangest Dream"Ed McCurdyMarch 17, 19642:11
3."Bleecker Street" March 10, 19642:44
4."Sparrow" March 31, 19642:49
5."Benedictus"arr by. Paul SimonMarch 31, 19642:38
6."The Sounds of Silence" March 10, 19643:08
Side two
No.TitleWriter(s)RecordedLength
1."He Was My Brother"Paul Kane (Paul Simon)March 17, 19642:48
2."Peggy-O"Traditional arr by. Paul SimonMarch 31, 19642:26
3."Go Tell It on the Mountain"Traditional arr by. Paul SimonMarch 31, 19642:06
4."The Sun Is Burning"arr by. Paul SimonMarch 17, 19642:49
5."The Times They Are a-Changin'"arr by. Paul SimonMarch 10, 19642:52
6."Wednesday Morning, 3 A.M." March 17, 19642:13

  • Paul Simon – vocals, acoustic guitar, banjo on "Last Night I Had the Strangest Dream"
  • Art Garfunkel – vocals
  • Barry Kornfeld – acoustic guitar
  • Bill Lee – double bass

Wikipedia
AllMusic: 6
Score: 4


[The duo broke up, and Simon toured the UK and recorded  The Paul Simon Songbook (1965) - see below in the Paul Simon section. They reformed when "The Sound of Silence" became a hit.]



Sounds of Silence  (Jan 1966

Their second album cashes in on the success of the overdubbed "The Sound of Silence" - the album opens with that version. All the songs apart from the instrumental "Anji", were written by Simon. There are drums and electric instruments in line with what the public were expecting, and in the mood of the time for folk music to be modern and electric. It lacks the charm of the all acoustic debut album, though  "I Am A Rock" is classic Simon & Garfunkel, and appears on their 1972 Greatest Hits album. Overall it's not a great album, but is competent enough and quite listenable. It is a slightly better album than the debut, but lacks the geeky charm.

ReleasedJanuary 17, 1966
RecordedMarch 1964 and April, June, and December 1965
GenreFolk rock[1]
Length29:09
LabelColumbia
ProducerBob JohnstonTom Wilson

Side one
No.TitleWriter(s)RecordedLength
1."The Sound of Silence" March 10, 1964 (basic track)
June 15, 1965 (overdubs)
3:08
2."Leaves That Are Green" December 13, 19652:23
3."Blessed" December 21, 19653:16
4."Kathy's Song" December 21, 19653:21
5."Somewhere They Can't Find Me" April 5, 19652:37
6."Anji"Davey GrahamDecember 13, 19652:17
Side two
No.TitleRecordedLength
1."Richard Cory"December 14, 19652:57
2."A Most Peculiar Man"December 22, 19652:34
3."April Come She Will"December 21, 19651:51
4."We've Got a Groovey Thing Goin'"April 5, 19652:00
5."I Am a Rock"December 14, 19652:50


Wikipedia
AllMusic: 7
Score: 4

Parsley, Sage, Rosemary and Thyme (Oct 1966

The duo were now popular because of the chance success of "The Sound of Silence"; they had reformed and rushed out the lacklustre but intermittently likeable and promising Sounds of Silence album. The next album would make or break them. They spent three months working on it - the combination of Simon's song-writing ability,  Garfunkel's obsessive perfectionism, and the attractive mix of their voices resulted in a magnificent album - a quantum leap forward on anything they had done before. While not quite fully rejecting electric instruments, the boys had a strong folky and acoustic feel on the album, and included the traditional folk song "Scarborough Fair" as the opening track. Their reputations were now made. This is a beautiful album, and a great artistic achievement.

ReleasedOctober 24, 1966
RecordedDecember 1965 – August 1966
GenreFolk rock
Length27:55
LabelColumbia
ProducerBob Johnston

Side one
No.TitleWriter(s)RecordedLength
1."Scarborough Fair/Canticle"Traditional; arranged by Simon and Art GarfunkelJuly 26, 19663:10
2."Patterns" June 8, 19662:42
3."Cloudy"Simon, Bruce WoodleyJune 10, 19662:10
4."Homeward Bound" December 14, 19652:30
5."The Big Bright Green Pleasure Machine" June 15, 19662:44
6."The 59th Street Bridge Song (Feelin' Groovy)" August 16, 19661:43
Side two
No.TitleWriter(s)RecordedLength
1."The Dangling Conversation" June 21, 19662:37
2."Flowers Never Bend with the Rainfall" December 22, 19652:10
3."A Simple Desultory Philippic (or How I Was Robert McNamara'd into Submission)" June 13, 19662:12
4."For Emily, Whenever I May Find Her" August 22, 19662:04
5."A Poem on the Underground Wall" June 13, 19661:52
6."7 O'Clock News/Silent Night"Josef MohrFranz GruberAugust 22, 19662:01

  • Paul Simon – vocals, guitar, harmonica on "A Simple Desultory Philippic (or How I Was Robert McNamara'd into Submission)”
  • Art Garfunkel – vocals, piano on "7 O'Clock News/Silent Night"


Wikipedia
AllMusic: 9
Score: 7

The Graduate (Jan 1968)

The boys are strongly associated with The Graduate film. Though five of their songs are used, only one, "Mrs Robinson", an adaption of a work in progress titled "Mrs Roosevelt", was made specially for the soundtrack, and that song wasn't used in its full version. The two songs Simon wrote specially for the film,"Punky's Dilemma" and "Overs", were rejected by the director, Mike Nichols. Both songs appear on Bookends, along with the full version of "Mrs Robinson". The other Simon & Garfunkel tracks are on The Sounds of Silence album.  Nearly half of the music is instrumental soundtrack music by David Grusin, which intrudes jerkily on the music by S&G. It works in the film, but doesn't work here. 

Everything by Simon & Garfunkel on the soundtrack is available on other albums, so this can safely be skipped, other than a mention for its cultural significance, unless someone is interested in the instrumental music by David Grusin, or wish to relive the film via the music. 


Side one
No.TitleWriter(s)PerformerLength
1."The Sound of Silence" (Remix)Paul SimonSimon & Garfunkel3:06
2."The Singleman Party Foxtrot"Dave GrusinDave Grusin2:52
3."Mrs. Robinson" (Version 1)SimonSimon & Garfunkel1:12
4."Sunporch Cha-Cha-Cha"GrusinDave Grusin2:53
5."Scarborough Fair/Canticle" (Interlude)Traditional, arranged by Simon, Art GarfunkelSimon & Garfunkel1:41
6."On the Strip"GrusinDave Grusin2:00
7."April Come She Will"SimonSimon & Garfunkel1:50
8."The Folks"GrusinDave Grusin2:27
Side two
No.TitleWriter(s)PerformerLength
9."Scarborough Fair/Canticle" (Extended version)Traditional, arranged by Simon, GarfunkelSimon & Garfunkel6:22
10."A Great Effect"GrusinDave Grusin4:06
11."The Big Bright Green Pleasure Machine" (Alternate version)SimonSimon & Garfunkel1:46
12."Whew"GrusinDave Grusin2:10
13."Mrs. Robinson" (Version 2)SimonSimon & Garfunkel1:12
14."The Sound of Silence" (Alternate version)SimonSimon & Garfunkel3:08


Wikipedia
AllMusic: 6
Score: 3

 Bookends  (April 1968)

The somewhat tricky album between Parsley and Bridge. It's a brief album - around 25 minutes of music. Concept albums were all the rage in 1968, so Simon had a go on the first side - critics love concept albums because it gives them something to write about, but mostly they fail because the writers are focusing so much on telling the story, or ensuring that the songs fit "the concept" that the value of the music itself tends to take a back stage. The attempt to be serious and conceptual doesn't work for me (though critics like it) - it is notable that some of the most serious, committed, authentic and artistic musicians, such as Tom Waits, Bob Dylan, Neil Young, Van Morrison, Leonard Cohen, etc, never made a concept album, but the Bee Gees did. "Voices of Old People" is just that, over two minutes of old people talking - that wears thin after a while, and on repeated listenings that's a track you want to skip. There are some decent songs, but not enough to make up for the weak songs and the failed conceptual experiment.

ReleasedApril 3, 1968
Recorded
  • September 1966
  • January and June 1967
  • October 1967 – February 1968
StudioColumbia Studio B & E, New York City
GenreFolk rock
Length29:51
LabelColumbia
Producer

Side one
No.TitleRecordedLength
1."Bookends Theme"March 8, 19680:32
2."Save the Life of My Child"December 14, 19672:49
3."America"February 1, 19683:35
4."Overs"October 16, 19672:14
5."Voices of Old People"February 6, 19682:07
6."Old Friends"March 8, 19682:36
7."Bookends Theme"March 8, 19681:16
Side two
No.TitleRecordedLength
1."Fakin' It"June 19673:17
2."Punky's Dilemma"October 5, 19672:12
3."Mrs. Robinson"February 2, 19684:02
4."A Hazy Shade of Winter"September 7, 19662:17
5."At the Zoo"January 8, 19672:23


Wikipedia
AllMusic: 10
Score: 4


[A recording of the tour they made in 1969, Live 1969 (2008) - see below, before the release of Bridge Over Troubled Water, accompanied by the musicians who they worked with on Bridge, was released in 2008/2009]

It's a masterpiece. One of the greatest albums ever made. A cultural highlight.


ReleasedJanuary 26, 1970
RecordedNovember 1968;
November 1969
VenueIowa State UniversityAmes, Iowa (Live recording of "Bye Bye Love")
Studio
GenreFolk rock
Length36:29
LabelColumbia
Producer

Side one
No.TitleWriter(s)RecordedLength
1."Bridge over Troubled Water" November 9, 19694:52
2."El Cóndor Pasa (If I Could)"Daniel Alomía Roblesarranged by Jorge Milchberg and English lyrics by Paul SimonNovember 2, 19693:06
3."Cecilia" November 2, 19692:55
4."Keep the Customer Satisfied" November 2, 19692:33
5."So Long, Frank Lloyd Wright" November 9, 19693:41
Side two
No.TitleWriter(s)RecordedLength
1."The Boxer" November 8, 19685:08
2."Baby Driver" November 2, 19683:14
3."The Only Living Boy in New York" November 15, 19693:58
4."Why Don't You Write Me" November 8, 19692:45
5."Bye Bye Love" (Live recording from Ames, Iowa)Felice Bryant, Boudleaux BryantNovember 14, 19692:55
6."Song for the Asking" November 1, 19691:49


Wikipedia
AllMusic: 10
Score: 10

Greatest Hits  (1972) 

Released two years after they split. There was no hurry because in the interim Bridge Over Troubled Waters was selling massively and was still in the top of the album charts week after week. It was only when Bridge dropped out of the charts that the record company felt a new product was needed. This beautifully captures the best of their five year output. A wonderful summary of what they were.

Side one[edit]

  1. "Mrs. Robinson"  [The Graduate and Bookends] 
  2. "For Emily, Whenever I May Find Her"  [Parsley, Sage... - live version] 
  3. "The Boxer" – 5:10  [Bridge Over... ]
  4. "The 59th Street Bridge Song (Feelin' Groovy)" [Parsley,  Sage.... live version]
  5. "The Sound of Silence(Acoustic version with electric overdubs) – 3:05
  6. "I Am a Rock"  [Sounds of Silence ]
  7. "Scarborough Fair/Canticle(Traditional; arranged by Simon, Art Garfunkel) – 3:09

Side two[edit]

  1. "Homeward Bound" [Sounds... / Parsley, Sage... live version]
  2. "Bridge over Troubled Water"  [Bridge ...] 
  3. "America" – 3:33
  4. "Kathy's Song" (Live) – 3:23
  5. "El Condor Pasa (If I Could)(Daniel Alomía Robles; English lyrics by Simon, arranged by Jorge Milchberg) – 3:07
  6. "Bookends" [Bookends ]
  7. "Cecilia" [Bridge Over....]

Wikipedia
AllMusic: 7
Score: 8  

 


  1. "I Am a Rock" [Sounds of Silence] 
  2. "Homeward Bound"
  3. "America"
  4. "The 59th Street Bridge Song (Feelin' Groovy)"
  5. "Wednesday Morning, 3 A.M."
  6. "El Condor Pasa (If I Could)" (Daniel Alomía Robles, English lyrics by Simon, arranged by Jorge Milchberg)
  7. "At the Zoo"
  8. "Scarborough Fair/Canticle" (traditional, arr. Simon & Art Garfunkel with Canticle by Simon)
  9. "The Boxer"
  10. "The Sound of Silence"
  11. "Mrs. Robinson"
  12. "Keep the Customer Satisfied"
  13. "Song for the Asking"
  14. "A Hazy Shade of Winter"
  15. "Cecilia"
  16. "Old Friends/Bookends Theme (Reprise)"
  17. "Bridge over Troubled Water"




The boys reunited in 1981 for a benefit concert to raise money for Central Park. They played in front of  an estimated half million people. The songs are a mix of their classics and Simon's own solo work. Mainly it's a nice bit of nostalgia; the boys do OK considering their tense relationship, but the whole thing lacks genuine warmth, and little of interest happens.

ReleasedFebruary 16, 1982
RecordedSeptember 19, 1981
VenueGreat Lawn, New York City
GenreFolk rock
Length75:51
LabelWarner Bros.
ProducerPaul SimonArt GarfunkelRoy HaleePhil Ramone

Side One
No.TitleLength
1."Mrs. Robinson"3:52
2."Homeward Bound"4:22
3."America"4:47
4."Me and Julio Down by the Schoolyard"3:22
5."Scarborough Fair"3:52
Side Two
No.TitleLength
1."April Come She Will"2:37
2."Wake Up Little Susie"2:19
3."Still Crazy After All These Years"4:04
4."American Tune"4:33
5."Late in the Evening"4:09
Side Three
No.TitleLength
1."Slip Slidin' Away"4:54
2."A Heart in New York"2:49
3."Kodachrome/Maybellene"5:51
4."Bridge over Troubled Water"4:48
Side Four
No.TitleLength
1."Fifty Ways to Leave Your Lover"4:23
2."The Boxer"6:02
3."Old Friends"2:57
4."The 59th Street Bridge Song (Feelin' Groovy)"2:01
5."The Sound of Silence"4:13


Wikipedia
AllMusic: 9
Score: 3

Old Friends: Live On Stage (2004) 

More nostalgia. The boys sound more relaxed and confident, so there is a better, more authentic, feel to this, though the voices are weak in places. On the whole I prefer this, slightly, to the Central Park album.

Wikipedia
AllMusic: 6
Score: 4


 
Live 1969 (2008)


Released25 March 2008 (Starbucks only)
14 April 2009
Recorded30 October - 27 November 1969
GenreFolk rock
LabelColumbia/Legacy
ProducerPaul SimonArt GarfunkelRoy Halee

  1. "Homeward Bound" – 3:04 (11/15/69, Long Beach Arena, Long Beach, California)
  2. "At the Zoo" – 2:07 (11/27/69, Carnegie Hall, New York City, New York)
  3. "The 59th Street Bridge Song (Feelin' Groovy)" – 1:56 (11/8/69, Carbondale, Illinois)
  4. "Song for the Asking" – 2:26 (11/15/69, Long Beach Arena, Long Beach, California)
  5. "For Emily, Whenever I May Find Her" – 2:37 (November 1969, St. Louis, Missouri)
  6. "Scarborough Fair/Canticle" (Paul Simon, Art Garfunkel) – 3:56 (11/28/69, Carnegie Hall, New York City, New York)
  7. "Mrs. Robinson" – 4:44 (11/8/69, Carbondale, Illinois)
  8. "The Boxer" – 4:46 (11/15/69, Long Beach Arena, Long Beach, California)
  9. "Why Don't You Write Me" – 2:56 (11/15/69, Long Beach Arena, Long Beach, California)
  10. "So Long, Frank Lloyd Wright" – 3:55 (11/8/69, Carbondale, Illinois)
  11. "That Silver-Haired Daddy of Mine" (Jimmy Long, Gene Autry) – 3:11 (11/15/69, Long Beach Arena, Long Beach, California)
  12. "Bridge over Troubled Water" – 5:25 (11/28/69, Carnegie Hall, New York City, New York)
  13. "The Sound of Silence" – 3:52 (11/8/69, Carbondale, Illinois)
  14. "I Am a Rock" – 3:36 (11/8/69, Carbondale, Illinois)
  15. "Old Friends/Bookends Theme" – 3:22 (11/1/69, Toledo, Ohio)
  16. "Leaves That Are Green" – 3:23 (10/30/69, Detroit, Michigan)
  17. "Kathy's Song" – 3:53 (November 1969, St. Louis, Missouri)


AllMusic: 
Score: 



Simon's first solo album, recorded in London during his period in the UK after Simon & Garfunkel had split up in 1964 when their first album sold poorly and it appeared there was to be no future for them. Most of the songs on this album Simon would use again for Simon & Garfunkel. There is a sparse feel about the album - some of the tracks, such as "Sound of Silence" and "I Am A Rock", sound more like demos rather than finished productions, but that gives it a certain charm and immediacy, and makes this album stand out in interesting comparison with some of the more fully worked productions that these songs went through with Simon & Garfunkel.  I like this.

ReleasedAugust 1965
RecordedJune - July 1965
StudioLevy's Recording Studio, 73 New Bond Street, London
GenreFolk
Length37:48
LabelCBS
ProducerReginald Warburton, Stanley West

Side one
No.TitleLength
1."I Am a Rock"2:52
2."Leaves That Are Green"2:41
3."A Church is Burning"3:38
4."April Come She Will"1:55
5."The Sound of Silence"3:19
6."A Most Peculiar Man"2:26
Side two
No.TitleWriter(s)Length
1."He Was My Brother"Paul Kane*2:58
2."Kathy's Song" 3:42
3."The Side of a Hill"Kane2:28
4."A Simple Desultory Philippic (or How I Was Robert McNamara'd into Submission)" 2:25
5."Flowers Never Bend With the Rainfall" 2:27
6."Patterns" 3:13



Wikipedia
AllMusic: 8
Score: 5

Paul Simon (1972

Simon's first solo album after the breakup of Simon & Garfunkel (for many years he did not regard Songbook as part of his oeuvre, and when Columbia released it in America in 1969 he had them immediately withdraw it). This album sounds like proper Paul Simon rather than the hesitant folk of Songbook.   He has found his voice and style, and what is heard here will be heard on all his future albums. The opening track, "Mother and Child Reunion",  is by far the best track, and the story of its making will be repeated years later for Graceland. Simon liked reggae, and in particular Jimmy Cliff's "Vietnam", so he recorded the song in Kingston, Jamaica, where Cliff had recorded, and using the same musicians.

A decent album, and setting Simon on the path to Graceland.

ReleasedJanuary 24, 1972
RecordedJanuary to March 1971
Studio
GenreFolk rock
Length34:03
Label
Producer

Side one

  1. "Mother and Child Reunion" – 3:05
  2. "Duncan" – 4:39
  3. "Everything Put Together Falls Apart" – 1:59
  4. "Run That Body Down" – 3:52
  5. "Armistice Day" – 3:55

Side two

  1. Me and Julio Down by the Schoolyard" – 2:42
  2. "Peace Like a River" – 3:20
  3. "Papa Hobo" (co-written with Stéphane Grappelli) – 2:34
  4. "Hobo's Blues" – 1:21
  5. "Paranoia Blues" – 2:54
  6. "Congratulations" – 3:42


Wikipedia
AllMusic: 10
Score: 6

There Goes Rhymin' Simon  (1973

This sold better than 1972's Paul Simon, suggesting that it was generally more popular, but I like it slightly less. The songs are OK, but it just feels like he's going through the motions. I like "Take Me to the Mardi Gras", but it is a fairly modest song. It's not an album that's really going to set the world on fire, but is pleasant enough.

ReleasedMay 5, 1973
RecordedSeptember 1972 – January 1973
StudioColumbia Studios, New York City, A&R Recording, New York City,
Malaco Recording StudiosJackson, Mississippi,
Muscle Shoals Sound StudioSheffield, Alabama
Morgan Studios, London
GenrePop rock
Length35:19
LabelColumbiaWarner Bros.
ProducerPaul SimonPhil RamoneMuscle Shoals Rhythm SectionPaul Samwell-SmithRoy Halee

Side one
No.TitleLength
1."Kodachrome"3:32
2."Tenderness"2:53
3."Take Me to the Mardi Gras"3:27
4."Something So Right"4:33
5."One Man's Ceiling Is Another Man's Floor"3:46
Side two
No.TitleLength
6."American Tune"3:43
7."Was a Sunny Day"3:41
8."Learn How to Fall"2:44
9."St. Judy's Comet"3:19
10."Loves Me Like a Rock"3:31



Wikipedia
AllMusic: 10
Score: 4

Paul Simon in Concert: Live Rhymin' (1974

A pleasant album with a mix of songs from Simon's career up to that point. There is a warmth to the performances on side one, which are sparse and folky, similar in style to how Simon started out. Side two he is joined by fellow musicians and he is more expansive and adventurous, providing an interesting contrast.

Wikipedia
AllMusic: 6
Score: 5

Still Crazy After All These Years  (1975

While everyone agrees that Graceland is Simon's major work, there is some uncertainty as to what ranks second. A number of people like his first post S&G album, Paul Simon, a few others like the second one, Rhymin' Simon,  some critics find Hearts and Bones interesting, while a good number of people, general listeners and critics both, like this one. Put me in the camp that likes this one. It may be because I had it back in 1975, and have enjoyed playing it over the years - but I like to think that I acquired it back then because there was something about this album that appealed to me which was not the case for any of his other solo albums apart from Graceland. There is a cohesive feel about the album. The others feel like a selection of songs; this feels like an album. The melodic jazz tones ease the listener through some sardonic observations of middle life. There is the sense of the weight of life on his shoulders - not the life of a pop star, but of an individual, just like the listener. There are none of the social optimisms of youth, the joy and humour of falling in love, of starting up friendships, of quietly challenging authority; instead, this is a mature person looking at himself at middle age - just like his audience who had grown up with him. There is reflection on the past, some nostalgia (and most effectively done in conjunction with Garfunkel on "My Little Town" - a nice touch, especially in the dark rejection of that nostalgia), as well as a quiet sense of potential rebellion wrapped up in the lyrics - indeed, the title captures that feeling so tellingly. There is the sense of solidity in the word "Still", but also a sense of regret, a sense of wanting a change to come. "After All These Years" captures the sense of the past, the passing years, the experiences. "Crazy" has that hint of potential rebellion. It's a clever title, both self-satisfied, yet regretting. Stuff happens, will happen, has happened. As he says: "Love emerges and it disappears". Life goes on. Indeed, there are numerous mentions of the seasons - time passing, coming round again. But mostly the lyrics focus on the ending of relationships - which is what had happened to Simon who had just divorced his first wife.

Released25 October 1975
Recorded1975
StudioA&R RecordingNew York City[1]
GenreFolk rockpop rocksoul
Length36:25 (original album)
45:32 (2004 CD reissue)
LabelColumbia
ProducerPaul Simon, Phil Ramone

Side one
No.TitleLength
1."Still Crazy After All These Years"3:26
2."My Little Town"3:51
3."I Do It for Your Love"3:35
4."50 Ways to Leave Your Lover"3:37
5."Night Game"2:58
Side two
No.TitleLength
1."Gone at Last"3:40
2."Some Folks' Lives Roll Easy"3:14
3."Have a Good Time"3:26
4."You're Kind"3:20
5."Silent Eyes"4:12

Wikipedia
AllMusic: 9
Score: 7

One Trick Pony  (1980

Nearly five years after his last album, and after dabbling with acting in Annie Hall, and writing a soundtrack for Shampoo, he released a soundtrack and film of his own. The film, about an ageing and unsuccessful rock star (played by himself; clearly not autobiographical, but possibly an alternative view of what might have happened to Simon had "Sounds of Silence" not been a surprise quirky hit), was not a big success, but is not regarded as a turkey.  The music is downbeat and world weary. It's OK, but there's little of significance here, and it comes across as the work of just another middle of the road singer-songwriter.

ReleasedAugust 12, 1980 [1]
Recorded1979–1980
StudioA&R Studios, New York except "Ace in the hole" and "One Trick Pony" recorded live at The Agora Club, Cleveland, Ohio
GenreRock
Length38:12
LabelWarner Bros.
ProducerPaul Simon, Phil Ramone

Side one
  1. "Late in the Evening" – 4:02
  2. "That's Why God Made the Movies" – 3:37
  3. "One-Trick Pony" (Live at the Agora Theatre and BallroomClevelandOhio, September 1979) – 3:53
  4. "How the Heart Approaches What It Yearns" – 2:49
  5. "Oh, Marion" – 4:00
Side two
  1. "Ace in the Hole" (duet with Richard Tee) (Live at the Agora Theatre and Ballroom, Cleveland, Ohio, September 1979) – 5:43
  2. "Nobody" – 3:32
  3. "Jonah" – 3:30
  4. "God Bless the Absentee" – 3:17
  5. "Long, Long Day" (with Patti Austin) – 3:57



Wikipedia
AllMusic: 6
Score: 4

Hearts and Bones  (1983

Made just after Simon & Garfunkel's Central Park concert, this was intended to be their reunion album, but after encountering too much stress and tension in the making of the album, Simon finished it as a solo album. Some critics find stuff here of interest - I haven't yet found my way into it.  I will return.

ReleasedNovember 4, 1983
Recorded1981–1983
StudioWarner Bros. Recording Studios, North HollywoodAtlantic StudiosNew York CityThe Power Station, New York City; Sigma Sound Studios, New York City; Regent Sound Studios, New York City; Media Sound Studios, New York City[1]
GenrePoprock
Length40:30
LabelWarner Bros.
Producer

Side one
  1. "Allergies" – 4:37
  2. "Hearts and Bones" – 5:37  
  3. "When Numbers Get Serious" – 3:25
  4. "Think Too Much (b)" – 2:44
  5. "Song About the Moon" – 4:07  (Version with Art Garfunkel
Side two
  1. "Think Too Much (a)" – 3:05
  2. "Train in the Distance" – 5:11 (Version with Art Garfunkel
  3. "Ren̩ and Georgette Magritte with Their Dog after the War" Р3:44
  4. "Cars Are Cars" – 3:15  (Version with Art Garfunkel)
  5. "The Late Great Johnny Ace" – 4:45
2004 CD reissue bonus tracks
  1. "Shelter of Your Arms" (Unreleased Work-in-Progress) – 3:11
  2. "Train in the Distance" (Original acoustic demo) – 3:13
  3. "Rene and Georgette Magritte with Their Dog After the War" (Original acoustic demo) – 3:46
  4. "The Late Great Johnny Ace" (Original acoustic demo) – 3:22

Wikipedia
AllMusic: 9
Score: 4

Graceland (1986)

An exceptional album. An astonishing work of art, and additionally it had a profound impact: this album is really what broke the apartheid system in South Africa. This album, and the accompanying tour, showed the world that the faceless "blacks" of South Africa were real people with talents, hopes, aspirations and feelings. By defiantly breaking the cultural embargo on the grounds that musicians and art are above politics and those temporarily in political power, he faced huge criticism from the West and black politicians in South Africa, but love and respect from the musicians and people inside South Africa. He gave South Africans back their dignity and pride, and gave them a voice. Artistically and culturally this album is an example of the pinnacle of human creativity, cooperation, hope, defiance, and ambition.  This is humanity at its very very best. 

ReleasedAugust 25, 1986
RecordedOctober 1985 – June 1986
StudioNew York City, London, Los Angeles, Louisiana and South Africa
Genre
Length43:18
LabelWarner Bros.
ProducerPaul Simon

Side one
No.TitleWriter(s)Length
1."The Boy in the Bubble"Forere Motloheloa, Simon3:59
2."Graceland" 4:48
3."I Know What I Know"General MD Shirinda, Simon3:13
4."Gumboots"Lulu Masilela, Jonhjon Mkhalali, Simon2:44
5."Diamonds on the Soles of Her Shoes"Joseph Shabalala, Simon5:45
Side two
No.TitleWriter(s)Length
1."You Can Call Me Al" 4:39
2."Under African Skies" 3:37
3."Homeless"Shabalala, Simon3:48
4."Crazy Love, Vol. II" 4:18
5."That Was Your Mother" 2:52
6."All Around the World or the Myth of Fingerprints" 3:15


Wikipedia
AllMusic: 10
Score: 10

Graceland - The Remixes  (2018)
This remix misses the point of the whole thing, and takes away the dignity and pride of the South Africans and drowns them under contemporary Western musical fashion. The album is simply used as material to create a series of tracks which all end up sounding vaguely similar with an unimaginative simplistic clubland drum beat overlaid with snippets of Simon's songs repeated in  a way to devoid them of any meaning or emotion or culture other than clubland's own.  Music seems to slip away under robotic rhythms devoid of judgement and taste and sophistication. The remixes are the exact opposite of what Graceland achieved. Where Graceland is the pinnacle of creative human achievement, the remixes are the nadir - the absolute pit of creativity where nothing new and meaningful is achieved, but something wonderful is slowly eaten away and destroyed.  
Score: 0  


Compilation album. 


Side one
No.TitleOriginal releaseLength
1."Mother and Child Reunion"Paul Simon (1972)2:48
2."Me and Julio Down by the Schoolyard"Paul Simon (1972)2:41
3."Something So Right"There Goes Rhymin' Simon (1973)4:28
4."St. Judy's Comet"There Goes Rhymin' Simon (1973)3:17
5."Loves Me Like a Rock"There Goes Rhymin' Simon (1973)3:18
Side two
No.TitleOriginal releaseLength
1."Kodachrome"There Goes Rhymin' Simon (1973)3:32
2."Have a Good Time"Still Crazy After All These Years (1975)3:23
3."50 Ways to Leave Your Lover"Still Crazy After All These Years (1975)3:31
4."Still Crazy After All These Years"Still Crazy After All These Years (1975)3:24
Side three
No.TitleOriginal releaseLength
1."Late in the Evening"One-Trick Pony (1980)3:55
2."Slip Slidin' Away"Greatest Hits, Etc. (1977)4:43
3."Hearts and Bones"Hearts and Bones (1983)5:38
4."Train in the Distance"Hearts and Bones (1983)4:22
Side four
No.TitleOriginal releaseLength
1."Rene and Georgette Magritte with Their Dog after the War"Hearts and Bones (1983)3:43
2."Diamonds on the Soles of Her Shoes"Graceland (1986)5:46
3."You Can Call Me Al"Graceland (1986)4:39
4."Graceland"Graceland (1986)4:48

ReleasedOctober 18, 1988
Recorded1971–1986
GenreFolk rockworldbeat
Length63:07
LabelWarner Bros.
ProducerPaul Simon, Phil RamoneRoy Halee



Wikipedia 
AllMusic: 
Score: 




The Rhythm of the Saints (1990)

The follow up to Graceland was commercially and critically accepted. I'm not sure, though, that this is an album that will endure.

ReleasedOctober 16, 1990
RecordedDecember 1989 – June 1990
GenrePoprockworldbeat
Length44:34
LabelWarner Bros.
ProducerPaul Simon

Side one

  1. "The Obvious Child" – 4:10
  2. "Can't Run But" – 3:36
  3. "The Coast" (Simon, Vincent Nguini) – 5:04
  4. "Proof" – 4:39
  5. "Further to Fly" – 5:36

Side two

  1. "She Moves On" – 5:03
  2. "Born at the Right Time" – 3:48
  3. "The Cool, Cool River" – 4:33
  4. "Spirit Voices" (Simon, Milton Nascimento) – 3:56
  5. "The Rhythm of the Saints" – 4:12

Wikipedia
AllMusic: 8
Score: 4 1/2
Loose arrangements which don't add anything new to the songs, but which frustrate those looking to hear old favourites, an exhausting selection of songs which end with a series of Simon & Garfunkel songs rather than with Simon's more substantial solo recordings, and a performance which seems rather throwaway for a grand concert in Central Park in front of several hundred thousand people plus several million watching live on TV.  Production is crisp, such that it feels at times to be a studio rather than a live recording - indeed, there is a lack of live atmosphere, despite crowd noises. On the whole I find this a disappointing album.  Too smooth and bland. The varied songs reduced to a similar soft jazzy groove so they all mush together into a homogenous bland nothing. Nostalgic evening wallpaper music in a little bar.

Wikipedia
AllMusic: 8
Score: 4

Songs from The Capeman (1997)

Struggling with this.

Wikipedia
AllMusic: 4
Score: 3

You're The One (2000)

It's not grabbing me.

Wikipedia
AllMusic: 6
Score: 4

Surprise (2006)

A collaboration with Brian Eno. More interesting than attractive. It's not surprising. It's not drawing me in.

Wikipedia
AllMusic: 9
Score: 4

The Essential (2007)

A compilation album. Too much stuff in general. And too much inferior material. Not essential. A little bit boring.

Wikipedia
AllMusic: 9
Score: 3

So Beautiful Or So What (2011)

I kinda like this and want to investigate further.

Wikipedia
AllMusic: 9
Score: 6

Stranger To Stranger (2016)

Oooh, I'm liking this.

Wikipedia
AllMusic: 8
Score: 7

The Concert In Hyde Park (2017)

Recorded in 2012 this is a confident and lively album mostly focusing on songs from Graceland, and, apart from "Sound Of Silence", staying away from his earlier material with Garfunkel; as such it is a more representative and homogeneous record of the mature Paul Simon, and generates a genuine live atmosphere. And when Ladysmith Black Mambazo come on for the Graceland songs it is so beautiful and so moving that it can reduce me to tears. Great stuff.

AllMusic: 7
Score: 8 1/2


In The Blue Light (2018)

Simon re-records some of his lesser or lesser-known songs. Because they are new arrangements of songs that most people wouldn't remember anyway, it is effectively a new album. It's a puzzling concept.

Wikipedia
AllMusic: 6
Score: 4

Discography

The Paul Simon Songbook (1965)
Paul Simon (1972)
There Goes Rhymin' Simon (1973)
Still Crazy After All These Years (1975)
One-Trick Pony (1980)
Hearts and Bones (1983)
Graceland (1986)
The Rhythm of the Saints (1990)
Songs from The Capeman (1997)
You're the One (2000)
Surprise (2006)
So Beautiful or So What (2011)
Stranger to Stranger (2016)
In the Blue Light (2018)


Albums ranked

* The Guardian
* UCRock
* RYMusic
* RStone
* BEAlbums
* AReviews
* EW
* W&Alroy

Links

* PaulSimon.com
Paul-simon.info
SimonAndGarfunkel.com


Conclusion

Paul Simon is a folky singer-songwriter loosely in the tradition of, and influenced by, Bob Dylan, but also in the tradition of and influenced by standard Brill Building songwriters (Neil Sedaka, Goffin & King, etc). Indeed, his early song writing is more Brill Building than Bob Dylan, and he actually worked there for a while while using the name Jerry Landis. 



***
Kitchen Table Music Blogs
Best Of The Best